ABSTRACT

The Private Collector’s Museum connects the rising popularity of private museums with evolving models of collecting and philanthropy, and new inter-relationships between private and public space. It examines how contemporary collectors construct museums to frame themselves as cultural arbiters of global distinction.

By exploring a range of in-depth contemporary case studies, the book aims for a more complex understanding of the private collector’s museum, assessing how it is realised, funded and understood in a broader cultural context. It examines the ways in which this particular museum model has evolved within a historical Western tradition of collecting and museum-building, and considers how private museums will endure alongside their public counterparts. It also sheds light on the shifting patterns of collecting, such as the transition of personal art collections into the public sphere. The developments are situated within the wider context of private–public engagement in general.

Providing a new analysis of philanthropy, public access and the museum, The Private Collector’s Museum is essential reading for scholars and students interested in the private museum, and key reading for those interested in related issues.

part I|2 pages

Overview

chapter 1|14 pages

Setting the foundation

Self-glorification is a small price to pay for philanthropy

chapter 2|17 pages

Private collecting

Collecting in the twentieth and twenty-first centuries

part II|2 pages

The private collector’s museum

chapter 3|29 pages

Where house and art museum converge

chapter 4|32 pages

Subverting the notion of the house museum

chapter 5|21 pages

The emergence of the stand-alone museum

Museum Folkwang, Hagen (1902–1921) and Essen, Germany (1922)

part III|2 pages

The (re)emergence of the single patron collection museum

chapter 7|23 pages

The private-public collection museum

Museum Brandhorst, Munich (2009) and Museum Frieder Burda, Baden-Baden (2004) Germany

chapter 8|33 pages

In defiance of the monumental museum

Menil Collection, Houston, USA (1987)

chapter 9|20 pages

The new museum and its creator’s grand plan

The Broad, Los Angeles, USA (2015)

chapter |8 pages

Conclusions

Evolving philanthropic conventions