ABSTRACT

Theatre and Dictatorship in the Luso-Hispanic World explores the discourses that have linked theatrical performance and prevailing dictatorial regimes across Spain, Portugal and their former colonies. These are divided into three different approaches to theatre itself - as cultural practice, as performance, and as textual artifact - addressing topics including obedience, resistance, authoritarian policies, theatre business, exile, violence, memory, trauma, nationalism, and postcolonialism. This book draws together a diverse range of methodological approaches to foreground the effects and constraints of dictatorship on theatrical expression and how theatre responds to these impositions.

chapter 1|41 pages

Weaving the Luso-Hispanic fabric

An entangled world of dictatorial constraints and theatrical responses

part |66 pages

Policies/Practices

chapter 3|13 pages

Censorship on the Brazilian scene

The “distribution of the sensible” and art as a political force

chapter 4|15 pages

José Tamayo

Foreign policy and cultural opportunism

chapter 5|13 pages

Galician independent theatre

A breach in Franco’s dictatorship

part |90 pages

Texts

chapter 11|15 pages

Bridging literary traditions in the Hispanic world

Equatorial Guinean drama and the dictatorial cultural-political order 1

chapter 12|12 pages

Soldiers without orders, actors without stages

Carlos Manuel Varela’s Interrogatorio en Elsinore and Bosco Brasil’s Novas diretrizes em tempos de paz

chapter 13|14 pages

Complicitous acts in Argentina’s theatre

La nona and De a uno

chapter 14|17 pages

Paraguay between dictatorships

El Edificio, an unknown play by Josefina Plá 1

chapter 16|16 pages

Appropriating the past under Somoza and the Sandinistas

The polyvalent sign of El Güegüence