ABSTRACT

Music and Heritage provides new thinking about the diverse ways people engage with heritage. By exploring the relationships that exist between music, place and identity, the book illustrates how people form attachments to place and how such attachments are represented by sound and music-making.

Presenting case studies and perspectives from across a range of genres, the volume argues that combining music with heritage provides an alternative and productive opportunity to think about heritage values and place attachment. Contributions to this edited collection use a diversity of methods, perspectives, cues and genres to reflect critically on issues related to these and other interconnections in ways that encourage new thinking about the character, meaning and purpose of cultural heritage, and the various ways in which people can interact with it through sound – thus re-encountering the supposedly familiar world around them.

Taking heritage studies, musicology and place-making research in new directions, Music and Heritage will be of interest to academics and students engaged in the study of heritage, history, music, geography and anthropology. It will also be relevant to those with an interest in how music relates to place-making and place attachment, as well as to practitioners and policymakers working in the planning, design and creative sectors.

chapter 1|9 pages

Sonic identity and the making of heritage

‘This must be the place’

part I|54 pages

Parklife: (New) town and (old) country

chapter 2|11 pages

The soundscape and cosmology of the Norwegian band Wardruna

Guardians of runes and makers of memories

chapter 3|10 pages

Pastoral longing in popular music

From Skye to Tennessee

chapter 4|11 pages

Composing archaeology

The problems of recreating heritage in music

chapter 6|9 pages

Heritage, culture and artistic reciprocity

Remediating the mythical

part II|71 pages

On and on: Cities/industry/infrastructure

chapter 7|11 pages

Decentring Liverpool’s popular music heritage

Routes Jukebox

chapter 8|11 pages

Music and community in 1980s Malta

The unconventional heritage of Fort Tigné

chapter 9|12 pages

The city as archive

How industry and electronic music forged Sheffield’s sonic identity

chapter 10|11 pages

Music heritage, cultural justice and the Steel City

Archiving and curating popular music history in Wollongong, Australia

part III|34 pages

Interzone: Comparative notes on a northern town

part IV|62 pages

No future: Remembrance

chapter 16|10 pages

Hardcore heritage

Consecrating the northern anxiety of Terveet Kädet

chapter 17|11 pages

Historically Authentic Truths (the HAT trick)

Facts, fancies and footnotes

chapter 20|10 pages

Hearing the past in the present

An augmented reality approach to site reconstruction through architecturally informed new music

chapter 21|11 pages

Station to station

Rock music memorial roots and routes in London