ABSTRACT

This book provides a social and cultural history of Jewish art in Nazi Germany, with a focus on the Jewish artists, art critics, and audiences in Nazi Bavaria.

From the time of its conceptualization in the autumn of 1933 until its final curtain call in November 1938, the Jewish Cultural League in Bavaria sustained three departments: music, visual arts, and adult education. The Bavarian example steps outside the highly professional cultural milieu of Jewish Berlin, and instead looks at relatively unknown efforts of Bavarian Jewish artists as they used art to define what it now meant, to them, to be Jewish under Nazism.

Insightful and engaging, this book is ideal for advanced undergraduate students, graduate students, and scholars interested in social and cultural histories of Jews in Germany.

chapter |23 pages

Introduction

part One|85 pages

1933–1935

chapter 1|23 pages

Jewish Exclusion from the ‘German’ Cultural Sphere

Impact and Responses

chapter 2|22 pages

Kultur and Bund

The Theory and Frameworks of ‘Jewish’ Culture in Bavaria

chapter 3|20 pages

Jewish Music and ‘the Most German of the Arts'

Liturgy, Folk Music, and Mendelssohn

chapter 4|18 pages

The ‘Kulturbund’ and the ‘Kunststadt’

Visual Arts in Nazi Bavaria

part Two|90 pages

1935–1938

chapter 5|19 pages

From Munich to Berlin

The Loss of Regional Autonomy and a National Jewish Cultural League

chapter 6|17 pages

A Bavarian Musical Department without Bavarian Musicians

Repertoire, Artists, and Venues

chapter 7|27 pages

Bavarian Visual Artists within the National Context

Exhibitions and Marionettes

chapter 8|12 pages

The Final Curtain

Emigration, Poverty, and ‘Liquidation’

chapter |7 pages

Epilogue

chapter |6 pages

Conclusion