ABSTRACT

This book, first published in 1999, addresses Beckett’s visual and musical sensibilities, and examines his visionary use of such diverse modes of creative expression as stage, radio, television and film, when his medium was the written word. The first section of the book focuses on music; the second part analyses the visual arts; and the third part examines film, radio and television. This book uncovers aspects of his thinking on, and use of the arts that have been little studied, including the nonfigurative function of music and art in Beckett’s work; the ‘collaborations’ undertaken by composers, painters and choreographers with his texts; the relation of his literary to his visual and musical artistry; and his use of film, radio and television as innovative means and celebration of artistic process.

part |150 pages

Part I

chapter Chapter 1|5 pages

Words and Music: Situating Beckett

chapter Chapter 3|26 pages

Beckett as Marsyas

chapter Chapter 4|16 pages

Beckett Music

chapter Chapter 7|18 pages

Skeptical Pictures in the Music of Company

chapter Chapter 9|8 pages

Interview with Philip Glass

part |94 pages

Part II

chapter Chapter 13|20 pages

The Becketts of Mabou Mines

chapter Chapter 14|8 pages

Interview with Maguy Marin