ABSTRACT

This study of the Piscatorbühne season of 1927–1928 uncovers a vital, previously neglected current of radical experiment in modern theater, a ghost in the machine of contemporary performance practices.

A handful of theater seasons changed the course of 20th- and 21st-century theatre. But only the Piscatorbühne of 1927–1928 went bankrupt in less than a year. This exploration tells the story of that collapse, how it predicted the wider collapse of the late Weimar Republic, and how it relates to our own era of political polarization and economic instability. As a wider examination of Piscator’s contributions to dramaturgical and aesthetic form, The Piscatorbühne Century makes a powerful and timely case for the renewed significance of the broader epic theater tradition. Drawing on a rich archive of interwar materials, Drew Lichtenberg reconstructs this germinal nexus of theory and praxis for the modern theatre.

This book will be of great interest to students and scholars in theatre, performance, art, and literature.

chapter |10 pages

Introduction

chapter 2|56 pages

Piscator in context

chapter 3|64 pages

Piscatorbühne 1927–1928

chapter 4|59 pages

Brecht and Piscator

Dialectical affinities

chapter 5|59 pages

The Piscator lines of the modern theater