ABSTRACT

This book approaches the concept of tenkō (political conversion) as a response to the global crisis of interwar modernity, as opposed to a distinctly Japanese experience in postwar debates.

Tenkō connotes the expressions of ideological conversion performed by members of the Japanese Communist Party, starting in 1933, whereby they renounced Marxism and expressed support for Japan’s imperial expansion on the continent. Although tenkō has a significant presence in Japan’s postwar intellectual and literary histories, this contributed volume is one of the first in Englishm language scholarship to approach the phenomenon. International perspectives from both established and early career scholars show tenkō as inseparable from the global politics of empire, deeply marked by an age of mechanical reproduction, mediatization and the manipulation of language. Chapters draw on a wide range of interdisciplinary methodologies, from political theory and intellectual history to literary studies. In this way, tenkō is explored through new conceptual and analytical frameworks, including questions of gender and the role of affect in politics, implications that render the phenomenon distinctly relevant to the contemporary moment.

Tenkō: Cultures of Political Conversion in Transwar Japan will prove a valuable resource to students and scholars of Japanese and East Asian history, literature and politics.

part I|84 pages

Conceptual excursions

chapter 1|20 pages

Ideological conversion as historical catachresis

Coming to terms with tenkō

chapter 2|24 pages

The historical origins of tenkō as an intellectual and social issue

Marxism – thought control – media

chapter 3|18 pages

Tenkō in Korea

Revealing the critical threshold of colonial empire

part II|156 pages

Literary possibilities

chapter 5|14 pages

Literature and affect

Proletarian literature as discovery

chapter 8|12 pages

The problem of literary truth

The Tenkō of Nakano Shigeharu and Hayashi Fusao

chapter 10|14 pages

Crossing the void

Shimaki Kensaku’s search for meaning in ‘Leprosy’ and ‘Blindness’

chapter 11|13 pages

The tenkō of anarchist poets

Agrarian and cinematic latencies

chapter 12|25 pages

A proletarian writer in the showcase window

The shifting representation of ‘the masses’ in Sata Ineko’s Kurenai