ABSTRACT

Chinese theatre underwent a great experiment under the cultural revolution. Using the reformed Beijing operas as models, the whole range of theatre arts, from straight plays to acrobatics and from ballet to ballads saw a profound transformation. Alongside the professional theatre, an upsurge of workers’ and peasants’ amateur theatre stimulated new developments.

This book, first published in 1978, sketches the historical background to these changes and offers a factual survey of the main forms and characteristics of Chinese theatre at the time. It traces the rise of the new drama since 1949 and explores the political principles underlying the reforms. It examines the new amateur theatre and describes typical plays and operas staged in China.

part |58 pages

Part One

chapter Chapter One|8 pages

Historical Background

chapter Chapter Two|34 pages

The Forms of Theatre

chapter Chapter Three|14 pages

Characteristics of Contemporary Chinese Theatre

part |65 pages

Part Two

chapter Chapter Four|20 pages

The Plays of 1949-65

chapter Chapter Five|17 pages

The Cultural Revolution in the Theatre, and After

chapter Chapter Six|6 pages

New Workers' and Peasants' Amateur Theatre

chapter Chapter Seven|17 pages

New Professional Productions

chapter Chapter Eight|3 pages

Conclusion. Trends for the Future