ABSTRACT

The twentieth century was a dynamic period for the theatrical arts in China. Booming urban theatres, the interaction between commercial practice and theatre, dramas staged during the War of Resistance against Japan and a healthy dialogue between Western and Eastern theatres all contributed to the momentousness of this period. The four volumes of A History of Chinese Theatre in the 20th Century display the developmental trajectories of Chinese theatre over those hundred years.

This volume examines national policies developed for the culture industry and practice of Chinese theatre from 1949 to the period of "the Great Leap Forward". The author highlights the tension between the new nation’s principle of "letting one hundred flowers bloom" and the theatrical industry as a tool for ideological propaganda. He argues that the transition from war-time conditions to the new social structure of peace time was far from thorough and stable.

Scholars and students in the history of the arts, especially the history of Chinese theatre, will find this book to be an essential guide.

part I|156 pages

“Letting one hundred flowers blossom” and “getting rid of the stale and bringing forth the fresh” – policies for Chinese theatre in the new era

part II|107 pages

Eulogizing “the Great Leap Forward Movement” and recalling revolutionary history