ABSTRACT

This book explores a new character archetype that permeated Soviet film during what became known as the era of Stagnation, a stark period of loneliness, disappointment, and individual despair. This new type of character was neither negative nor positive, but nevertheless systematically undermined Soviet norms of behaviour, hairstyle, dress, lifestyle, and perspective, in stark contrast to Socialist Realism’s traditional, positive hero who fought for Soviet values and who vanquished the enemies of socialism. The book discusses a wide range of films from the period, showing how the new antiheroic archetype of Stagnation resonated through a multitude of characters, mostly male, and vividly reflected the realities of Soviet life. The book thereby provides great insight into the lives, outlook, and psychology of citizens in the late Soviet period.

chapter |12 pages

Introduction

part I|42 pages

Violating norms in Soviet ­serio-comic genres of the Stagnation era

chapter 2|21 pages

Antiheroes from an Imagined West

The Very Same Munchhausen and The House that Swift Built

part II|40 pages

Unsettling intergenerational harmony, professional integrity, and moral superiority

chapter 3|18 pages

Teaching (by) violence

Antiheroines in Ilya Averbakh’s Other People’s Letters

chapter 4|20 pages

Aging kings on the Soviet screen

Disappointment and self-doubt in ­Stagnation-era cinema 1

part III|42 pages

Dualism, conformism, and impotence

chapter 5|20 pages

The Soviet flâneur-turned-marathoner

The movement of character and the character of movement in Georgii Daneliia’s 1970s films

chapter 6|20 pages

Unneeded men in a time of compliance

Split identity in Unfinished Piece for Mechanical Piano and Flights in Dreams and Reality

part IV|36 pages

Auteur films: Through the lens of time, space, and allegory

chapter 7|17 pages

Getting to Know the Big Wide World

The shaggy, the vulgar, and the bumptious

chapter 8|17 pages

Deconstructing the Stalin myth

Unheroic heroes in the films of Aleksei German, Sr.