ABSTRACT

A structured perspective on the crucial interface of director and screenplay, this book encompasses twenty-two seminal aspects of the approach to story and script that a director needs to understand before embarking on all other facets of the director’s craft.

Drawing on seventeen years of teaching filmmaking at a graduate level and on his prior career as a director and in production at the BBC, Markham shows how the filmmaker can apply rigorous analysis of the elements of dramatic narrative in a screenplay to their creative vision, whether of a short or feature, TV episode or season. Combining examination of such fundamental topics as story, premise, theme, genre, world and setting, tone, structure, and key images with the introduction of less familiar concepts such as cultural, social, and moral canvas, narrative point of view, and the journey of the audience, What’s The Story? The Director Meets Their Screenplay applies the insights of each chapter to a case study—the screenplay of the short film Contrapelo, nominated for the Jury Award at Tribeca in 2014.


This book is an essential resource for any aspiring director who wants to understand exactly how to approach a screenplay in order to get the very best from it, and an invaluable resource for any filmmaker who wants to understand the important creative interplay between the director and screenplay in bringing a story to life.

chapter |2 pages

Introduction

part A|134 pages

The approach

chapter 1|5 pages

What’s the story?

chapter 2|6 pages

Premise

chapter 3|5 pages

Theme

chapter 4|18 pages

Genre

chapter 5|4 pages

World/setting

chapter 6|6 pages

Cultural, social, and moral canvas

chapter 7|6 pages

Tone

chapter 8|8 pages

Structure

chapter 9|6 pages

Passage of time

chapter 10|16 pages

Character

chapter 11|14 pages

Narrative point of view

chapter 13|4 pages

Key images, objects, and motifs

chapter 14|9 pages

Opening image, frame, shot

chapter 15|5 pages

Closing image, frame, shot

chapter 16|7 pages

Endings

chapter 18|2 pages

The director’s statement

part B|45 pages

The case study—Contrapelo screenplay by Liska Ostojic and Gareth Dunnet-Alcocer

chapter 19|23 pages

Screenplay

chapter 20|19 pages

Contrapelo case study

chapter 21|1 pages

Conclusion