ABSTRACT

Classical Concert Studies: A Companion to Contemporary Research and Performance is a landmark publication that maps out a new interdisciplinary field of Concert Studies, offering fresh ways of understanding the classical music concert in the twenty-first century. It brings together essays, research articles, and case studies from scholars and music professionals including musicians, music managers, and concert designers. Gathering both historical and contemporary cases, the contributors draw on approaches from sociology, ethnology, musicology, cultural studies, and other disciplines to create a rich portrait of the classical concert’s past, present, and future.

Based on two earlier volumes published in German under the title Das Konzert (The Concert), and with a selection of new chapters written for the English edition, this companion enables students, researchers, and practitioners in the classical and contemporary music fields to understand this emerging field of research, go beyond traditional disciplinary boundaries and methodologies, and spark a renaissance for the classical concert.

chapter |7 pages

Concert Studies

part I|49 pages

The Concert as an Event

chapter 1|18 pages

A Concert Theory

chapter 3|6 pages

4′33″

The Concert as a Performative Moment

chapter 5|6 pages

Between Formalization and Exaggeration

An Ethnomusicological Perspective

chapter 6|7 pages

Concert Formats

Liturgy—Ritual—Power?

part II|82 pages

Programs, Formats, and Media

chapter 7|20 pages

From Program Leaflets to Listening Apps

A Brief History of Guided Listening

chapter 8|17 pages

Space, Light, Proximity

Aspects of Historical Performance Practice

chapter 9|9 pages

Preludes, Fantasias, and Collages

Improvisation, a Forgotten Art in the Classical Concert

chapter 10|19 pages

Concert Design

Form Follows Function

chapter 11|4 pages

Musical Curator and Concert Director

part III|67 pages

Space—Sound—Instruments

chapter 14|7 pages

Noise and Sound

The Historicity and Sociability of the Senses

chapter 15|13 pages

From Sound to Noise

The History of Hearing in the Nineteenth and Early Twentieth Centuries

chapter 16|17 pages

The Soundscape of Vienna

Pictorial Essay

chapter 17|8 pages

The Cultural Dimensions of Atmospheres

Sociological Observations of the Resonanzraum in Hamburg

chapter 19|7 pages

Cinema for the Ears

Technical Developments in Acoustics and Loudspeaker Systems

chapter 20|8 pages

Digital Encore

Virtualization, Live Coding, and New Interfaces

part IV|72 pages

The Audience and the Musicians

chapter 21|16 pages

Between Audience Decline and Audience Development

Perspectives on the Professional Musician, Music Education, and Cultural Policy

chapter 22|11 pages

Musical, Social, and Moral Dilemmas

Investigating Audience Motivations to Attend Concerts

chapter 23|7 pages

Studying Music … and Then What?

chapter 24|9 pages

“Playing Concerts Is Not Enough”

On the Identity of the Deutsche Kammerphilharmonie Bremen

chapter 25|9 pages

Women in Music Culture

A History of (Non-)Participation?

chapter 26|8 pages

The Konzerthaus Berlin

A Concert Hall in Transition

part V|45 pages

Economy and Policy

chapter 29|9 pages

Roll Over Beethoven …

Notes on Concerts under Conditions of the Culture Industry

chapter 30|13 pages

The Dematerialization of Music

How Streaming Technology Impacts Music Production and Consumption

chapter 31|5 pages

The “New Classic”

chapter 32|12 pages

Actors in the Classical Music Business

A Media Discourse Analysis

part VI|34 pages

Concert Research

chapter 33|7 pages

A Manifesto of Concert Culture

chapter 34|6 pages

Concerto21

A Didactic Introduction for Concert Development

chapter 35|9 pages

The Researching Orchestra

Innovative Collaborations between Symphonic Orchestras and Knowledge Institutions