ABSTRACT

Why the Theatre is a collection of 26 personal essays by college teachers, actors, directors, and playwrights about the magnetic pull of the theatre and its changing place in society.

The book is divided into four parts, examining the creative role of the audience, the life of the actor, director, and playwright in performance, ways the theatre moves beyond the playhouse and into the real world, and theories and thoughts on what the theatre can do when given form onstage. Based on concrete, highly personal examples, experiences, and memories, this collection offers unique perspectives on the meaning of the theatre and the beauty of weaving the world of the play into the fabric of our lives.

Covering a range of practices and plays, from the Greeks to Japanese Butoh theatre, from Shakespeare to modern experiments, this book is written by and for the theatre instructor and theatre appreciation student.

chapter |8 pages

Introduction

Why?

part I|46 pages

The Creative Role of the Audience

chapter 1|6 pages

Vouchsafe Me Audience

chapter 2|7 pages

Training the Eye

chapter 3|8 pages

Undeveloped Freight

Listening Together in the Playhouse

chapter 5|9 pages

Acting the Storm

Twenty Years of Tempests

chapter 6|8 pages

From Theatre to Classroom

Making Teaching Effective

part II|44 pages

The Life of the Actor, Director, and Playwright in Performance

chapter 7|5 pages

Why the Theatre?

The Breaking of the Fourth Wall

chapter 10|6 pages

In the Nick

Theatre in and of Our Times

chapter 12|6 pages

Why Butoh Theatre

Thoughts of the Actor, Questions From the Director

part III|48 pages

When the Theatre Moves Beyond the Stage Into the Real World

chapter 14|5 pages

Theatre for Health

chapter 15|9 pages

Why Make Theatre in the South Pacific?

A Personal View of Theatre in Aotearoa/New Zealand

chapter 16|5 pages

Empathy Is Essential

chapter 17|5 pages

The Art of Failure

chapter 18|8 pages

Why Teach Theatre?

part IV|51 pages

Theories and Thoughts About What the Theatre Can Do When Given Form Onstage

chapter 20|9 pages

The Cruelty Tourist and the Emancipated Spectator

Looking for an Essential Theatre

chapter 22|5 pages

Remembering Dreams

chapter 26|6 pages

Because

chapter |2 pages

Epilogue

“Yeh, Boss”