ABSTRACT

Promoting China's cultural soft power by disseminating modern Chinese values is one of the policies of President Xi Jinping. Although, it is usually understood as a top-down initiative, implemented willingly or unwillingly by writers, filmmakers, artists, and so on, and often manifesting itself in clumsy and awkward ways, for example, the concept of "the Chinese dream," intended to rival and perhaps appeal more strongly than "the American dream," modern Chinese values are in fact put forward in many ways by many different cultural actors. Through analyses of film festivals, CCTV, Confucius Institutes, auteurs, blockbusters, reality TV, and online digital cultures, this book exposes the limitations of China's officially promoted soft power in both conception and practice, and proposes a pluralistic approach to understanding Chinese soft power in local, regional, and transnational contexts. As such, the book demonstrates the limitations of existing theories of soft power, and argues that the US-derived concept of soft power can benefit from being examined from a China perspective.

chapter 1|18 pages

Screening China’s soft power

Screen cultures and discourses of power 1

part I|90 pages

What’s SAPPRFT got to do with it

chapter 2|17 pages

Projecting influence

Film and the limits of Beijing’s soft power

chapter 3|18 pages

Soft power in the living room

A survey of television drama on CCTV’s foreign-language channels

chapter 4|17 pages

Poetics of failure

Performing humanism in the Chinese blockbuster

chapter 5|18 pages

Going to Hollywood with non-Han films

A potential soft power synergy?

chapter 6|18 pages

UpClose, broadcasting the Chinese dream

CCTV news and China’s cultural policy presented to a global audience

part II|56 pages

From East–West to South–South

chapter 8|20 pages

Towards a “Chinese cinema” in New Zealand

Transnational cinema as localized soft power

chapter 9|17 pages

CCTV Africa in an expanding mediasphere

Chinese soft power and a South–South connectivity out of Kenya

part III|96 pages

Auteurs, animateurs, and matchmakers

chapter 10|29 pages

Animating virtual soft power

Digital animation’s dreams, nightmares, and wonders

chapter 11|16 pages

Soft power by accident or by design

If You Are the One and Chinese television

chapter 13|23 pages

The feminine touch

Chinese soft power politics and Hong Kong women filmmakers

chapter 14|9 pages

Afterword

Shifting perspectives on soft power and Chinese screens