ABSTRACT

Collected Studies CS1062

This volume brings together a selection of the major articles of Alexandra F. Johnston, which along with similar volumes by the late David Mills, Peter Meredith and Meg Twycross makes up a set of "Shifting Paradigms in Early English Drama Studies". Alexandra Johnston, the founding director of the research project, Records of Early English Drama, is one of these four key scholars whose work has had a profound influence on the study of medieval and early modern English drama.

This collection of essays focuses especially on the York plays: on the Mercers’ documents that initiated the project itself; on the theology and christology of the plays; on the relationship between the plays and contemporary administrative bodies, both civic and national; and on the performance of the York plays in modern times. A further group of articles considers documentary evidence for the wide range of drama and mimetic ceremony in the Midlands and the West Country, reinforcing our understanding that these events took place predominately on a local parish level. The collection is rounded out with a survey of the immense changes that our reading of early English drama have undergone over the past half century.

chapter |6 pages

Introduction

part 1|106 pages

York records

chapter 1.1|9 pages

The Doomsday pageant of the York Mercers, 1433

From: Leeds Studies in English, n.s., 5 (1971), 29–34 [with Margaret Dorrell (Rogerson)]

chapter 1.2|25 pages

The York Mercers and their pageant of Doomsday, 1433–1526

From: Leeds Studies in English, n.s., 6 (1972), 8–35 [with Margaret Dorrell (Rogerson)]

chapter 1.3|6 pages

The procession and play of Corpus Christi in York after 1426

From: Leeds Studies in English, n.s., 7 (1973–74), 55–62

chapter 1.5|11 pages

The guild of Corpus Christi and the procession of Corpus Christi in York

From: Medieval Studies 38 (1976), 372–84

chapter 1.6|14 pages

The York Cycle and the libraries of York

From: The Church and Learning in Late Medieval Society: Essays in Honour of Barrie Dobson, Caroline Barron and Jenny Stratford, eds., Harlaxton Medieval Studies 11 (Donington, UK: Shaun Tyas, 2002), 355–70

part 2|67 pages

Other records

chapter 2.1|17 pages

The emerging pattern of the Easter play in England

From: Medieval English Theatre 20 (1998), 3–23

chapter 2.2|17 pages

The feast of Corpus Christi in the West Country

From: Early Theatre 6 (2003), 15–34

chapter 2.3|16 pages

Summer festivals in the Thames Valley counties

From: Custom, Culture and Community, Thomas Pettitt and Leif Søndergaard, eds., proceedings of the 17th International Symposium of the Centre for the Study of Vernacular Languages, Odense University (Odense, Denmark: Odense University Press, 1994), 37–56

chapter 2.4|15 pages

The Robin Hood of the records

From: Playing Robin Hood: The Legend as Performance in Five Centuries, Lois Potter, ed. (Newark: University of Delaware Press, 1998), 27–44

part 3|65 pages

Suppression and change

chapter 3.1|23 pages

The city as patron: York

From: Theatrical Patronage in Early Modern England, Paul Whitfield White and Suzanne Westfall, eds. (Cambridge: Cambridge University Press, 2002), 150–75

chapter 3.2|18 pages

‘And how the state will beare with it, I knowe not’

From: According to the Ancient Custom: Essays Presented to David Mills, Part 2, Philip Butterworth, Pamela M. King, and Meg Twycross, eds., Medieval English Theatre 30 (2008), 3–25

chapter 3.3|22 pages

William Cecil and the drama of persuasion

From: Shakespeare and Religious Change, Kenneth Graham and Philip Collington, eds. (New York: Palgrave MacMillan, 2009), 63–87

part 4|52 pages

Theory/theology

chapter 4.1|14 pages

‘The word made flesh’: Augustinian elements in the York Cycle

From: The Centre and Its Compass: Studies in Medieval Literature in Honor of Professor John Leyerle, Robert Taylor et al., eds., Studies in Medieval Culture 33 (Kalamazoo, MI: Medieval Institute Publications, 1993), 225–46

chapter 4.2|16 pages

‘At the still point of the turning world’: The Augustinian roots of medieval dramaturgy

From: European Medieval Drama, vol. 2, Sydney Higgins, ed. (Camerino, IT: Tempo di Spettacoli, 1998), 5–25

chapter 4.3|10 pages

‘His langage is lorne’: The silent centre of the York Cycle

From: Early Theatre 3 (2000), 185–95

chapter 4.4|10 pages

Making yourself ‘þer present’: Nicholas Love and the plays of the Passion

From: In Strange Countries: Essays in Memory of John J. Anderson, David Matthews, ed. (Manchester, UK: Manchester University Press, 2010), 96–107

part 5|27 pages

Performance

chapter 5.1|9 pages

The York Corpus Christi play: A dramatic structure based on performance practice

From: The Theatre in the Middle Ages, Herman Braet, John Noive, and Gilbert Tournoy, eds. (Leuven, Belgium: Leuven University Press, 1985), 362–73

chapter 5.2|4 pages

York, 1998: What we learned

From: Early Theatre 3 (2000), 199–203

chapter 5.3|12 pages

Acting Mary: The emotional realism of the mature virgin in the N-Town plays

From Page to Performance: Essays in Early English Drama, John Alford, ed. (Lansing, MI: Michigan State University Press, 1995), 85–98

part 6|21 pages

Summing up

chapter 6.1|19 pages

The history of English drama before 1642 revisited

From: The Southern African Journal of Medieval and Renaissance Studies 20 (2010), 1–29