ABSTRACT

The trade in books has always been and remains an ambiguous commercial activity, associated as it is with literature and the exchange of ideas. This collection is concerned with the cultural and economic roles of independent bookstores, and it considers how eight shops founded during the modernist era provided distinctive spaces of literary production that exceeded and yet never escaped their commercial functions. As the contributors show, these booksellers were essential institutional players in literary networks. When the eight shops examined first opened their doors, their relevance to literary and commercial life was taken for granted. In our current context of box stores, online shopping, and ebooks, we no longer encounter the book as we did as recently as twenty years ago. By contributing to our understanding of bookshops as unique social spaces on the thresholds of commerce and culture, this volume helps to lay the groundwork for comprehending how our relationship to books and literature has been and will be affected by the physical changes to the reading experience taking place in the twenty-first century.

chapter |14 pages

Introduction

Openings

chapter 1|16 pages

‘We Have Come to Stay’

The Hampshire Bookshop and the Twentieth-Century ‘Personal Bookshop’

chapter 3|24 pages

Frank Shay's Greenwich Village

Reconstructing the Bookshop at 4 Christopher Street, 1920–1925

chapter 4|24 pages

‘Lady Midwest’

Fanny Butcher – Books

chapter 5|18 pages

‘A Place Known to the World as Devonshire Street’

Modernism, Commercialism, and the Poetry Bookshop

chapter 7|18 pages

The Grolier Poetry Book Shop

From Couch to Cultural Icon

chapter 8|18 pages

Sylvia & Company

chapter |2 pages

Coda