ABSTRACT

Drawing evidence from transatlantic literary texts of childhood as well as from nineteenth and early twentieth century children’s and family card, board, and parlor games and games manuals, Nineteenth-Century Fictions of Childhood and the Politics of Play aims to reveal what might be thought of as "playful literary citizenship," or some of the motivations inherent in later nineteenth and early twentieth century Anglo-American play pursuits as they relate to interest in shaping citizens through investment in "good" literature. Tracing play, as a societal and historical construct, as it surfaces time and again in children’s literary texts as well as children’s literary texts as they surface time and again in situations and environments of children’s play, this book underscores how play and literature are consistently deployed in tandem in attempts to create ideal citizens – even as those ideals varied greatly and were dependent on factors such as gender, ethnicity, colonial status, and class.

chapter |13 pages

Introduction

Playful literary citizenship

chapter 1|31 pages

Cultivating citizenship in the parlor

Transatlantic rivalries and respectability in nineteenth century board, card, and parlor games

chapter 2|31 pages

Never and always a woman

Citizenship, croquet, and the nineteenth century growing girl

chapter 3|31 pages

Citizenship on the world’s stage

Kipling’s novels of boyhood and the boy scouts

chapter 4|30 pages

“‘Art for art’ is their motto”

Aesthetic citizenship, children’s play, and class politics in the eyes and hands of Burnett and Nesbit

chapter |24 pages

Conclusion—“playing houses”

Citizenship, play, and domestic adventure in Enid Blyton’s The Famous Five series and the adventure playground movement