ABSTRACT

Overwriting the Dictator is literary study of life writing and dictatorship in Americas. Its focus is women who have attempted to rewrite, or overwrite, discourses of womanhood and nationalism in the dictatorships of their nations of origin. The project covers five 20th century autocratic governments: the totalitarianism of Rafael Trujillo’s regime in the Dominican Republic, the dynasty of the Somoza family in Nicaragua, the charismatic, yet polemical impact of Juan and Eva Perón on the proletariat of Argentina, the controversial rule of Fidel Castro following Cuba’s 1959 revolution, and Augusto Pinochet’s coup d'état that transformed Chile into a police state. Each chapter traces emerging patterns of experimentation with autobiographical form and determines how specific autocratic methods of control suppress certain methods of self-representation and enable others. The book foregrounds ways in which women’s self-representation produces a counter-narrative that critiques and undermines dictatorial power with the depiction of women as self-aware, resisting subjects engaged in repositioning their gendered narratives of national identity.

chapter |16 pages

Introduction

Impossible Autobiography: Women’s Life Writing and Twentieth-Century Latin American Dictatorships

chapter 1|38 pages

I Remember Trujillo: Trujillo en Mis Memorias

Denial, Shame, Martyrdom, and Nostalgia in Dominican Women’s Memoir

chapter 2|38 pages

Dueña y Señora de Su Canto 1

Autobiographical Depictions of the New Nicaraguan Woman

chapter 3|55 pages

“Distinguished Ladies” and the Doctrine of Chilean Womanhood

The “Anti-Manuals” of Diamela Eltit, Isabel Allende, and Marjorie Agosín

chapter 4|31 pages

Exile Memory and the Paradigmatic

Before-and-After in Post-1959 Cuban Women’s Life Writing

chapter 5|30 pages

“There Is No Need . . . for Us to Speak of Eva Perón” 1

Evita’s Caudillagrafia

chapter |10 pages

Conclusion

Common Denominators: Impossible Autobiographies