ABSTRACT

Mike Gane provides an introduction to Baudrillard's cultural theory: the conception of modernity and the complex process of simulation. He examines Baudrillard's literary essays: his confrontation with Calvino, Styron, Ballard and Borges. Gane offers a coherent account of Baudrillard's theory of cultural ambience, and the culture of consumer society. And it provides an introduction to Baudrillard's fiction theory, and the analysis of transpolitical figures. The book also includes an interesting and provocative comparison of Baudrillard's powerful essay against the modernist Pompidou Centre in Paris and Frederic Jameson's analysis of the Bonaventure Hotel in Los Angeles. An interpretation of this encounter leads to the presentation of a very different Baudrillard from that which figures in contemporary debates on postmodernism.

chapter 1|5 pages

Introduction

The double infidelity

chapter 2|20 pages

From literary criticism to fiction-theory

chapter 3|22 pages

Modern ambience of objects

chapter 4|5 pages

Technology and culture

Baudrillard’s critique of McLuhan and Lefebvre

chapter 5|22 pages

The rigours of consumer society

chapter 6|17 pages

From production to reproduction

chapter 7|12 pages

Modernity, simulation, and the hyperreal

chapter 8|14 pages

Fashion, the body, sexuality, and death

chapter 9|8 pages

Anagrammatic resolutions

chapter 10|17 pages

Transpolitical objects

chapter 11|14 pages

From the Beaubourg to the Bonaventure Hotel

chapter 12|4 pages

Conclusion

The other Baudrillard