ABSTRACT

In Roman Jakobson Richard Bradford reasserts the value of Jakobson's work, arguing that he has a great deal to offer contemporary critical theory and providing a critical appraisal the sweep of Jakobson's career.
Bradford re-establishes Jakobson's work as vital to our understanding of the relationship between language and poetry. By exploring Jakobson's thesis that poetry is the primary object language, Roman Jakobson: Life, Language, Art offers a new reading of his work which includes the most radical elements of modernism. This book will be invaluable to students of Jakobson and to anyone interested in the development of critical theory, linguistics and stylistics.

chapter |4 pages

Introduction

part 1|44 pages

The poetic function

chapter 1|9 pages

Metaphor and Metonymy

chapter 2|8 pages

The Set

chapter 3|8 pages

The Double Pattern

chapter 4|10 pages

Sonnets and Everything Else

chapter 5|5 pages

Zaum

chapter 6|3 pages

The Sliding Scale

part 2|46 pages

The unwelcoming context

chapter 7|6 pages

The Shifting Paradigm

chapter 8|4 pages

The Diagram

chapter 9|6 pages

Culler and the Flea'

chapter 10|6 pages

Speech Acts and ‘The Raven, Nevermore'

chapter 11|11 pages

Phonology, Poetics and Semiotics

chapter 12|15 pages

Lévi-Strauss, Barthes and Lacan

part 3|39 pages

Space and time

chapter 13|8 pages

Space and Time

chapter 14|3 pages

Jakobson, Auden and Majakovskij

chapter 15|6 pages

Two Models of Poetic History

chapter 16|7 pages

Jakobson and Bakhtin

chapter 17|14 pages

Closing Section

Jakobson and Modernism