ABSTRACT

One of the central images conjured up by the gothic novel is that of a shadowy spectre slowly rising from a mysterious abyss. In The Rise of the Gothic Novel, Maggie Kilgour argues that the ghost of the gothic is now resurrected in the critical methodologies which investigate it for the revelation of buried cultural secrets.
In this cogent analysis of the rise and fall of the gothic as a popular form, Kilgour juxtaposes the writings of William Godwin with Mary Wollstonecraft, and Ann Radcliffe with Matthew Lewis. She concludes with a close reading of the quintessential gothic novel, Mary Shelley's Frankenstein.
An impressive and highly original study, The Rise of the Gothic Novel is an invaluable contribution to the continuing literary debates which surround this influential genre.

part |43 pages

Part I

chapter 1|7 pages

The Nature of Gothic

chapter 2|5 pages

Past and Present

chapter 3|16 pages

The Sublime and the Odd

chapter 4|13 pages

Everything that Rises Must Converge

part |65 pages

Part II

chapter 5|28 pages

Godwin and the Gothic of Revolution

chapter 6|20 pages

The Reveries of a Solitary Woman

part |76 pages

Part III

chapter 8|29 pages

From Here to Here

Radcliffe's Plot of Female Development

chapter 9|27 pages

Lewis's Gothic Revolution

chapter 10|18 pages

‘A Way thus Dark and Circuitous’ 1

The Revolution Comes Full Circle

part IV|37 pages

Part IV

chapter 11|29 pages

The Artist as Goth

chapter 12|6 pages

The Rise of Gothic Criticism