ABSTRACT

As an historical figure Mary Queen of Scots has been perpetually represented on canvas, page and stage, and has captured the British imagination since the time of her death in 1587. The 'real' Mary Stuart however has remained an enigma.
Mary Queen of Scots: Romance and Nation sheds light on Mary's life by exploring four main themes:
* the history of Mary's representation in Britain from the late Tudor period focusing on key periods in the formation of the British identity and closely analysing several texts against a background of the visual, musical and literary works of each period
* the reasons why those representing Mary have been so conscious that her image was largely a debatable fiction
* the identification of symbolic styles, using Mary to reveal the habits of representation in each historical period
* The link between the image of Mary Stuart and Britain's long struggle to define itself as a single nation, focusing on the roles of gender and religion in this development.

chapter |11 pages

Introduction

part 1|48 pages

Elizabethan Mary

chapter 1|21 pages

“The finest she that ever was”

Scotland, 1558–1568

chapter 2|23 pages

“The treason of pity”

England, 1568–1603

part 2|38 pages

Stuart Mary

chapter 3|21 pages

“A new and unexampled kindof tomb”

1603–1714

chapter 4|13 pages

“False kindred”

The Island Queens and The Albion Queens

part 3|70 pages

Georgian Mary

chapter 5|21 pages

“The sorrow of seeing the queen”

1714–1789

chapter 6|21 pages

“Dozens of ugly Mary Queenof Scotts”

The women of Britain, 1725—1785

chapter 7|24 pages

Guilt and vindication

1789–1837

part 4|52 pages

Victorian Mary

chapter 8|24 pages

Victoria's other woman

chapter 9|22 pages

A “laboured illusion” vanishes

part 5|10 pages

Epilogue