ABSTRACT

The Cinematic City offers an innovative and thought-provoking insight into cityscape and screenscape and their inter-connection. Illustrated throughout with movie stills, a diverse selection of films (from 'Bladerunner' to 'Little Caesar'), genres, cities and historical periods are examined by leading names in the field. The key dimensions of film and urban theory are introduced before detailed analysis of the various cinematic forms which relate most significantly to the city. From early cinema and documentary film, to film noir, 'New Wave' and 'postmodern cinema', the contributors provide a wealth of empirical material and illustration whilst drawing on the theoretical insights of contemporary feminism, Benjamin, Baudrillard, Foucault, Lacan, and others.
The Cinematic City shows how the city has been undeniably shaped by the cinematic form, and how cinema owes much of its nature to the historical development of urban space. Engaging with current theoretical debates, this is a book that is set to change the way in which we think about both the nature of the city and film.
Contributors: Giuliana Bruno, Iain Chambers, Marcus Doel, David Clarke, Anthony Easthope, Elisabeth Mahoney, Will Straw, Stephen Ward, John Gold, James Hay, Rob Lapsley, Frank Krutnik

chapter |18 pages

INTRODUCTION

part 1|22 pages

CHINESE BOXES AND RUSSIAN DOLLS

chapter |2 pages

NOTES

chapter |4 pages

REFERENCES

chapter 2|14 pages

CITY VIEWS

chapter 3|26 pages

OF PLANS AND PLANNERS

chapter 4|26 pages

SOMETHING MORE THAN NIGHT

chapter 5|18 pages

URBAN CONFIDENTIAL

chapter 6|10 pages

Cinécities in the Sixties

part 7|4 pages

FROM RAMBLE CITY TO THE SCREENINGOF THE EYE

chapter |7 pages

EX-TERMINATING THE SIGNS OF LIFE

chapter |1 pages

ACKNOWLEDGEMENTS

chapter |1 pages

NOTES

chapter |4 pages

REFERENCES

part 8|15 pages

‘THE PEOPLE IN PARENTHESES’

chapter |1 pages

NOTES

chapter |2 pages

FILMS CITED

chapter 9|24 pages

MAINLY IN CITIES AND AT NIGHT

chapter 11|12 pages

MAPS, MOVIES, MUSICS AND MEMORY