ABSTRACT

The colonial architecture of the nineteenth century has much to tell us of the history of colonialism and cultural exchange. Yet, these buildings can be read in many ways. Do they stand as witnesses to the rapacity and self-delusion of empire? Are they monuments to a world of lost glory and forgotten convictions? Do they reveal battles won by indigenous cultures and styles? Or do they simply represent an architectural style made absurdly incongruous in relocation?
Empire Building is a study of how and why Western architecture was exported to the Middle East and how Islamic and Byzantine architectural ideas and styles impacted on the West.
The book explores how far racial theory and political and religious agendas guided British architects (and how such ideas were resisted when applied), and how Eastern ideas came to influence the West, through writers such as Ruskin and buildings such as the Crystal Palace.
Beautifully written and lavishly illustrated, Empire Building takes the reader on an extraordinary postcolonial journey, backwards and forwards, into the heart and to the edge of empire.

chapter |12 pages

Introduction

part I|80 pages

Orientalism and Architecture

chapter 1|22 pages

Useful Knowledge

Interpreting Islamic Architecture, 1700—1840

chapter 2|35 pages

South-Savage

Interpreting Islamic Architecture, 1840—70

chapter 3|21 pages

Oriental Byzantium

Interpreting Byzantine Architecture, 1840—70

part II|141 pages

Architecture and the Orient

chapter |2 pages

Preface

chapter 4|27 pages

Architecture in Captivity

James Wild and St Mark's, Alexandria

chapter 5|43 pages

The Spectacle of Alliance

British Architecture in Istanbul

chapter 6|31 pages

Dignified Progress

Later British Architecture in Egypt

chapter 7|29 pages

New Jerusalems

Evangelical Architecture in Jerusalem

chapter |7 pages

Conclusion