ABSTRACT

In 1956 many people thought rock `n' roll was a passing fad, yet over forty years later , more than ever, Popular Music is a part of contemporary culture, reinventing itself for successive generations. Pop embraces its own history, with musicians from every genre routinely sampling the sounds of the past. present.
Living Through Pop explores popular music's history, and the ways in which it has been produced by musicians, broadcasters, critics and fans. In discussing this complex relationship between the past and the present, the contributors investigate signficant moments in music's history, from the Rolling Stones and the Velvet Underground to the Sex Pistols and the Verve, from drum `n' bass to European extreme techno.

chapter |11 pages

Introduction

What's the story?

part I|36 pages

Living In History

chapter 1|16 pages

Loosen Up

The Rolling Stones ring in the 1960s

chapter 2|18 pages

White Light/White Heat

Jouissance beyond gender in the Velvet Underground

part II|28 pages

Living The Business

chapter 3|12 pages

I Was There

Putting punk on television

chapter 4|14 pages

Making Noise

Notes from the 1980s

part III|52 pages

Getting To The Present

chapter 5|19 pages

Decoding Society Versus The Popsicle Academy

On the value of being unpopular

chapter 6|14 pages

Exploding Silence

African-Caribbean and African-America 1 n music in British culture towards 2000

chapter 7|17 pages

Listening Back From Blackburn

Virtual sound worlds and the creation of temporary autonomy

part IV|45 pages

Living Through Contemporary Pop

chapter 8|15 pages

Living In France

The parallel universe of Hexagonal pop

chapter 9|13 pages

Thinking About Mutation

Genres in 1990s electronica

chapter 10|15 pages

‘It's Like Feminism, But You Don't Have To Burn Your Bra’

Girl power and the Spice Girls' breakthrough 1996–7