ABSTRACT

To this day, Education and Dramatic Art remains the only fully worked critique of drama education in schools. Provocative and iconoclastic, this new edition brings the argument up-to-date and locates the author's proposals for a curriculum based on the making, performing and appraisal of dramas securely in the evolving culture of schools.
The first section of the book traces the origins and fortunes of drama in schools in the context of changing political times and argues that by neglecting the customs and practices of the theatre, drama-in-education has often kept from the students it professes to empower, the very knowledge and understanding necessary for them to take command of their subject.
Part two examines the developmental and pedagogic claims of drama-in-education. Theories of knowledge and meaning and assumptions about schools drama's power to establish a moral and social agenda, are all called to account.
Finally, Education and Dramatic Art proposes a multiculturally-based, theoretical structure for the teaching of drama which pulls the theatre and the classroom together and offers teachers the foundation for a broad and balanced drama curriculum with its own distinctive body of knowledge and skills.

part |2 pages

PART I DRAMA-IN-EDUCATION TELLING THE STORY

chapter 1|12 pages

THE PLOT

The rise of drama-in-education

chapter 2|13 pages

THE PLAYERS

Witness and revelation

chapter 3|13 pages

THE SETTING

Events on the public stage

chapter 4|16 pages

1 Digging up the secret garden

Rehearsing the phantom revolution

part |2 pages

PART II DRAMA-IN-EDUCATION

chapter 5|11 pages

THE OMNIPOTENT SELF

chapter 6|9 pages

HAPPENING ON THE AESTHETIC

chapter 7|10 pages

SIGNIFICANT KNOWING

chapter 8|12 pages

CULTURE AND POWER

part |2 pages

PART III TOWARDS DRAMATIC ART

chapter 9|11 pages

PRACTICAL AESTHETICS AND DRAMATIC ART

chapter 10|7 pages

THE DRAMATISED SOCIETY

chapter 11|11 pages

WHAT SHALL WE DO AND HOW SHALL WE LIVE?

chapter 12|10 pages

THE DRAMA CURRICULUM