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Shame in Shakespeare
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Shame in Shakespeare

Shame in Shakespeare

ByEwan Fernie
Edition 1st Edition
First Published 2001
eBook Published 10 September 2012
Pub. location London
Imprint Routledge
DOIhttps://doi.org/10.4324/9780203996744
Pages 288 pages
eBook ISBN 9781134514618
SubjectsLanguage & Literature
Get Citation

Get Citation

Fernie, E. (2002). Shame in Shakespeare. London: Routledge, https://doi.org/10.4324/9780203996744
ABOUT THIS BOOK

One of the most intense and painful of our human passions, shame is typically seen in contemporary culture as a disability or a disease to be cured. Shakespeare's ultimately positive portrayal of the emotion challenges this view. Drawing on philosophers and theorists of shame, Shame in Shakespeare analyses the shame and humiliation suffered by the tragic hero, providing not only a new approach to Shakespeare but a committed and provocative argument for reclaiming shame.

The volume provides:

· an account of previous traditions of shame and of the Renaissance context

· a thematic map of the rich manifestations of both masculine and feminine shame in Shakespeare

· detailed readings of Hamlet, Othello, and King Lear

· an analysis of the limitations of Roman shame in Antony and Cleopatra and Coriolanus

· a polemical discussion of the fortunes of shame in modern literature after Shakespeare.

The book presents a Shakespearean vision of shame as the way to the world outside the self. It establishes the continued vitality and relevance of Shakespeare and offers a fresh and exciting way of seeing his tragedies.

TABLE OF CONTENTS
chapter 1|23 pages
Introduction
View abstract
chapter 2|17 pages
Shame before Shakespeare
View abstract
chapter 3|33 pages
Shame in the Renaissance
View abstract
chapter 4|35 pages
Shame in Shakespeare
View abstract
chapter 5|27 pages
Hamlet
View abstract
chapter 6|37 pages
Othello
View abstract
chapter 7|35 pages
King Lear
View abstract
chapter 8|16 pages
Antony and Cleopatra and Coriolanus
View abstract
chapter 9|23 pages
Conclusion
View abstract

One of the most intense and painful of our human passions, shame is typically seen in contemporary culture as a disability or a disease to be cured. Shakespeare's ultimately positive portrayal of the emotion challenges this view. Drawing on philosophers and theorists of shame, Shame in Shakespeare analyses the shame and humiliation suffered by the tragic hero, providing not only a new approach to Shakespeare but a committed and provocative argument for reclaiming shame.

The volume provides:

· an account of previous traditions of shame and of the Renaissance context

· a thematic map of the rich manifestations of both masculine and feminine shame in Shakespeare

· detailed readings of Hamlet, Othello, and King Lear

· an analysis of the limitations of Roman shame in Antony and Cleopatra and Coriolanus

· a polemical discussion of the fortunes of shame in modern literature after Shakespeare.

The book presents a Shakespearean vision of shame as the way to the world outside the self. It establishes the continued vitality and relevance of Shakespeare and offers a fresh and exciting way of seeing his tragedies.

TABLE OF CONTENTS
chapter 1|23 pages
Introduction
View abstract
chapter 2|17 pages
Shame before Shakespeare
View abstract
chapter 3|33 pages
Shame in the Renaissance
View abstract
chapter 4|35 pages
Shame in Shakespeare
View abstract
chapter 5|27 pages
Hamlet
View abstract
chapter 6|37 pages
Othello
View abstract
chapter 7|35 pages
King Lear
View abstract
chapter 8|16 pages
Antony and Cleopatra and Coriolanus
View abstract
chapter 9|23 pages
Conclusion
View abstract
CONTENTS
ABOUT THIS BOOK

One of the most intense and painful of our human passions, shame is typically seen in contemporary culture as a disability or a disease to be cured. Shakespeare's ultimately positive portrayal of the emotion challenges this view. Drawing on philosophers and theorists of shame, Shame in Shakespeare analyses the shame and humiliation suffered by the tragic hero, providing not only a new approach to Shakespeare but a committed and provocative argument for reclaiming shame.

The volume provides:

· an account of previous traditions of shame and of the Renaissance context

· a thematic map of the rich manifestations of both masculine and feminine shame in Shakespeare

· detailed readings of Hamlet, Othello, and King Lear

· an analysis of the limitations of Roman shame in Antony and Cleopatra and Coriolanus

· a polemical discussion of the fortunes of shame in modern literature after Shakespeare.

The book presents a Shakespearean vision of shame as the way to the world outside the self. It establishes the continued vitality and relevance of Shakespeare and offers a fresh and exciting way of seeing his tragedies.

TABLE OF CONTENTS
chapter 1|23 pages
Introduction
View abstract
chapter 2|17 pages
Shame before Shakespeare
View abstract
chapter 3|33 pages
Shame in the Renaissance
View abstract
chapter 4|35 pages
Shame in Shakespeare
View abstract
chapter 5|27 pages
Hamlet
View abstract
chapter 6|37 pages
Othello
View abstract
chapter 7|35 pages
King Lear
View abstract
chapter 8|16 pages
Antony and Cleopatra and Coriolanus
View abstract
chapter 9|23 pages
Conclusion
View abstract

One of the most intense and painful of our human passions, shame is typically seen in contemporary culture as a disability or a disease to be cured. Shakespeare's ultimately positive portrayal of the emotion challenges this view. Drawing on philosophers and theorists of shame, Shame in Shakespeare analyses the shame and humiliation suffered by the tragic hero, providing not only a new approach to Shakespeare but a committed and provocative argument for reclaiming shame.

The volume provides:

· an account of previous traditions of shame and of the Renaissance context

· a thematic map of the rich manifestations of both masculine and feminine shame in Shakespeare

· detailed readings of Hamlet, Othello, and King Lear

· an analysis of the limitations of Roman shame in Antony and Cleopatra and Coriolanus

· a polemical discussion of the fortunes of shame in modern literature after Shakespeare.

The book presents a Shakespearean vision of shame as the way to the world outside the self. It establishes the continued vitality and relevance of Shakespeare and offers a fresh and exciting way of seeing his tragedies.

TABLE OF CONTENTS
chapter 1|23 pages
Introduction
View abstract
chapter 2|17 pages
Shame before Shakespeare
View abstract
chapter 3|33 pages
Shame in the Renaissance
View abstract
chapter 4|35 pages
Shame in Shakespeare
View abstract
chapter 5|27 pages
Hamlet
View abstract
chapter 6|37 pages
Othello
View abstract
chapter 7|35 pages
King Lear
View abstract
chapter 8|16 pages
Antony and Cleopatra and Coriolanus
View abstract
chapter 9|23 pages
Conclusion
View abstract
ABOUT THIS BOOK
ABOUT THIS BOOK

One of the most intense and painful of our human passions, shame is typically seen in contemporary culture as a disability or a disease to be cured. Shakespeare's ultimately positive portrayal of the emotion challenges this view. Drawing on philosophers and theorists of shame, Shame in Shakespeare analyses the shame and humiliation suffered by the tragic hero, providing not only a new approach to Shakespeare but a committed and provocative argument for reclaiming shame.

The volume provides:

· an account of previous traditions of shame and of the Renaissance context

· a thematic map of the rich manifestations of both masculine and feminine shame in Shakespeare

· detailed readings of Hamlet, Othello, and King Lear

· an analysis of the limitations of Roman shame in Antony and Cleopatra and Coriolanus

· a polemical discussion of the fortunes of shame in modern literature after Shakespeare.

The book presents a Shakespearean vision of shame as the way to the world outside the self. It establishes the continued vitality and relevance of Shakespeare and offers a fresh and exciting way of seeing his tragedies.

TABLE OF CONTENTS
chapter 1|23 pages
Introduction
View abstract
chapter 2|17 pages
Shame before Shakespeare
View abstract
chapter 3|33 pages
Shame in the Renaissance
View abstract
chapter 4|35 pages
Shame in Shakespeare
View abstract
chapter 5|27 pages
Hamlet
View abstract
chapter 6|37 pages
Othello
View abstract
chapter 7|35 pages
King Lear
View abstract
chapter 8|16 pages
Antony and Cleopatra and Coriolanus
View abstract
chapter 9|23 pages
Conclusion
View abstract

One of the most intense and painful of our human passions, shame is typically seen in contemporary culture as a disability or a disease to be cured. Shakespeare's ultimately positive portrayal of the emotion challenges this view. Drawing on philosophers and theorists of shame, Shame in Shakespeare analyses the shame and humiliation suffered by the tragic hero, providing not only a new approach to Shakespeare but a committed and provocative argument for reclaiming shame.

The volume provides:

· an account of previous traditions of shame and of the Renaissance context

· a thematic map of the rich manifestations of both masculine and feminine shame in Shakespeare

· detailed readings of Hamlet, Othello, and King Lear

· an analysis of the limitations of Roman shame in Antony and Cleopatra and Coriolanus

· a polemical discussion of the fortunes of shame in modern literature after Shakespeare.

The book presents a Shakespearean vision of shame as the way to the world outside the self. It establishes the continued vitality and relevance of Shakespeare and offers a fresh and exciting way of seeing his tragedies.

TABLE OF CONTENTS
chapter 1|23 pages
Introduction
View abstract
chapter 2|17 pages
Shame before Shakespeare
View abstract
chapter 3|33 pages
Shame in the Renaissance
View abstract
chapter 4|35 pages
Shame in Shakespeare
View abstract
chapter 5|27 pages
Hamlet
View abstract
chapter 6|37 pages
Othello
View abstract
chapter 7|35 pages
King Lear
View abstract
chapter 8|16 pages
Antony and Cleopatra and Coriolanus
View abstract
chapter 9|23 pages
Conclusion
View abstract
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