ABSTRACT

The Intercultural Performance Handbook opens up a new world of technique for performers. The first ever full-length, fully illustrated manual for practitioners, it provides:
*a guide to the physical, vocal and improvisational dynamics drawn from world performance styles
*a new vocabulary with which to interpret plays from around the globe
*games to use for exploring rhythm, movement, balance, tension and gesture, breathwork, stylisation and the use of the voice
*a practical approach to creating vibrant theatrical work.
Studies on intercultural performance are usually written by scholars and reasearchers. John Martin explains the definition and development of intercultural performance studies from the perspective of an experienced practitioner. He provides exercises, practical advice and a clear training process for the inquiring actor or director.
This book is a process of discovery, carefully written so as to develop understanding and move towards empowerment for the adventurous theatre-maker.

chapter |11 pages

This intercultural world

AN ONGOING MODEL

chapter 1|27 pages

Discovering the energy

chapter |3 pages

Exercise 22 Close space

chapter 2|4 pages

Using the energy

part |1 pages

Exercise 32 The opening body

chapter |26 pages

Exercise 33 Opening and closing gestures

part |2 pages

Exercise 44 Element identification

chapter 3|6 pages

The energy of rhythm

chapter |8 pages

Exercise 47 Jump on it

chapter |6 pages

Exercise 54 Crossing the circle

chapter 4|9 pages

Improvisation

part |1 pages

Exercise 57 Enter the space – be in the space – follow the first impulse

chapter 5|9 pages

Energy and the voice

chapter |5 pages

Exercise 73 The River

chapter |4 pages

Exercise 78 Aeroplanes

chapter |3 pages

Appendix

Games to start the

chapter |5 pages

Exercise 83 Ball throw

chapter |1 pages

Exercise 89 The drop-behind circle