ABSTRACT

Following on from the phenomenally successful Shakespeare, The Movie, this volume brings together an invaluable new collection of essays on cinematic Shakespeares in the 1990s and beyond. Shakespeare, The Movie II:
*focuses for the first time on the impact of postcolonialism, globalization and digital film on recent adaptations of Shakespeare;
*takes in not only American and British films but also adaptations of Shakespeare in Europe and in the Asian diapora;
*explores a wide range of film, television, video and DVD adaptations from Almereyda's Hamlet to animated tales, via Baz Luhrmann, Kenneth Branagh, and 1990s' Macbeths, to name but a few;
*offers fresh insight into the issues surrounding Shakespeare on film, such as the interplay between originals and adaptations, the appropriations of popular culture, the question of spectatorship, and the impact of popularization on the canonical status of "the Bard."
Combining three key essays from the earlier collection with exciting new work from leading contributors, Shakespeare, The Movie II offers sixteen fascinating essays. It is quite simply a must-read for any student of Shakespeare, film, media or cultural studies.

chapter |13 pages

Introduction

Editors' Cut

chapter 2|19 pages

“Remember Me”

Technologies of memory in Michael Almereyda's Hamlet

chapter 3|16 pages

James Dean Meets the Pirate's Daughter

Passion and Parody in William Shakespeare's Romeo + Juliet and Shakespeare in Love

chapter 4|17 pages

Sure can Sing and Dance

Minstrelsy, the Star System, and the Post-Postcoloniality of Kenneth Branagh's Love's Labour's Lost and Trevor Nunn's Twelfth Night

chapter 6|15 pages

Shakespeare in the Age of Post-Mechanical Reproduction

Sexual and Electronic Magic in Prospero's Books

chapter 9|19 pages

Nostalgia and Theatricality

The fate of the Shakespearean stage in the Midsummer Night's Dreams of Hoffman, Noble, and Edzard

chapter 10|13 pages

“Top of the World, MA”

Richard III and Cinematic Convention

chapter 11|14 pages

Shakespeare and the Street

Pacino's Looking for Richard, Bedford's Street King, and the common understanding

chapter 12|13 pages

The Family Tree Motel

Subliming Shakespeare in My Own Private Idaho

chapter 13|18 pages

War is Mud

Branagh's Dirty Harry V and the types of Political Ambiguity

chapter 14|21 pages

Out Damned Scot

Dislocating Macbeth in transnational film and Media Culture

chapter 15|13 pages

Dogme Shakespeare 95

European Cinema, Anti-Hollywood Sentiment, and the Bard

chapter 16|39 pages

Shakespeare and Asia in Postdiasporic Cinemas

Spin-offs and Citations of the Plays from Bollywood to Hollywood