ABSTRACT

With an interdisciplinary approach that encompasses the history of ideas, political history, cultural history and art history, this volume, in the successful Routledge Worlds series, offers a sweeping survey of Europe in the Renaissance, from the late thirteenth to early seventeenth centuries, and shows how the Renaissance laid key foundations for many aspects of the modern world.

Collating thirty-four essays from the field's leading scholars, John Jeffries Martin shows that this period of rapid and complex change resulted from a convergence of a new set of social, economic and technological forces alongside a cluster of interrelated practices including painting, sculpture, humanism and science, in which the elites engaged.

Unique in its balance of emphasis on elite and popular culture, on humanism and society, and on women as well as men, The Renaissance World grapples with issues as diverse as Renaissance patronage and the development of the slave trade.

Beginning with a section on the antecedents of the Renaissance world, and ending with its lasting influence, this book is an invaluable read, which students and scholars of history and the Renaissance will dip into again and again.

part |27 pages

Introduction

chapter |25 pages

The Renaissance

A world in motion

part I|55 pages

Three Preludes

chapter One|20 pages

Rome at the Center of a Civilization

chapter Two|18 pages

Framing and Mirroring the World

part II|104 pages

A World in Motion

chapter Seven|26 pages

The Invention of Europe

chapter Eight|23 pages

José De Acosta

Renaissance historiography and New World humanity

part III|96 pages

The Movement of Ideas

chapter Nine|17 pages

The Circulation of Knowledge

chapter Ten|17 pages

Virgil and Homer in Poland

chapter Eleven|17 pages

Montaigne in Italy

chapter Twelve|20 pages

"Shared Studies Foster Friendship"

Humanism and history in Spain

chapter Thirteen|23 pages

Niccolò Machiavelli and Thomas More

Parallel lives

part IV|127 pages

The Circulation of Power

chapter Fourteen|20 pages

Courts, Art, and Power

chapter Fifteen|19 pages

The Imperial Renaissance

chapter Sixteen|21 pages

Renaissance Triumphalism in Art

chapter Seventeen|17 pages

The Ottoman Empire

chapter Nineteen|17 pages

Mothers and Children

chapter Twenty|14 pages

The Renaissance Goes up in Smoke

part V|120 pages

Making Identities

chapter Twenty-one|20 pages

Human Exceptionalism

chapter Twenty-Two|17 pages

Worthy of Faith?

Authors and readers in early modernity

chapter Twenty-Three|29 pages

The Renaissance Portrait

From resemblance to representation

chapter Twenty-Four|20 pages

Objects and Identity

Antonio de' Medici and the Casino at San Marco in Florence

chapter Twenty-Five|16 pages

Food

Pietro Aretino and the art of conspicuous consumption

chapter Twenty-Six|16 pages

Shakespeare's Dream of Retirement

part VI|119 pages

Beliefs and Reforms

chapter Twenty-seven|20 pages

Speaking Books, Moving Images

chapter Twenty-Eight|17 pages

Religious Minorities

chapter Twenty-Nine|17 pages

Humanism and the Dream of Christian Unity

chapter Thirty|16 pages

Christian Reform and its Discontents

chapter Thirty-One|16 pages

A Tale of Two Tribunals

chapter Thirty-Two|16 pages

Christianity in Sixteenth-Century Brazil

chapter Thirty-Three|15 pages

Toward a Sacramental Poetics 1

part VII|25 pages

A New Order of Knowledge

chapter Thirty-Four|23 pages

The Sun at the Center of the World