ABSTRACT

First published in 1986.

The focus of this book is the dramatic strategies of scenic repetition and character separation. The author traces the way in which Shakesperare often presents recurring gestures, dramatic interactions, and complex scenic structures at widely separated intervals in a play - thereby providing an internal system of cross-reference for an audience. He also examines the way in which Shakespeare increases the dramatic voltage in central relationships by limiting the access key characters have to each other on stage. These strategies, it is argued, are indelible marks of Shakespeare's craftsmanship which survive all attempts to obliterate it in many modern productions.

chapter |9 pages

Introduction

part |91 pages

Part One

chapter |26 pages

‘Look where it comes again'

Pattern and variation in Shakespeare's dramas

chapter |13 pages

‘Thrice three times the value of this bond'

The three trials in The Merchant of Venice

chapter |18 pages

The journey from ‘wherefore art thou Romeo?' to ‘Where is my Romeo?'

The structure of Romeo and Juliet

chapter |32 pages

‘What's yet behind, that's meet you all should know'

The structure of the final scene of Measure for Measure

part |57 pages

Part Two

chapter |24 pages

‘But when they seldom come, they wished-for come'

Interaction and separation in Shakespeare's drama

chapter |13 pages

How to shoot an arrow o'er the house to hurt your brother

Methods of indirection and separation in Hamlet

chapter |18 pages

‘And what's he then that says I play the villain'

Iago, the strategist of separation