ABSTRACT

J. B. Priestley is the first book to provide a detailed and up to date analysis of the enormous contribution made by this playwright, novelist, journalist and critic to twentieth century British theatre.

Priestley was often criticised for being either too populist or too experimental and this study unpicks the contradictions of a playwright and theatre theorist popular with audiences but too often dismissed by critics; describing and analysing in detail not only his plays but also their specific historical and contemporary productions.

Using a combination of archive, review and critical materials, the book re-locates Priestley as a theatre theorist of substance as well as a playwright who challenged theatre conventions and assumptions about audience expectations, at a time when theatre was considered both conservative and lacking in innovation.

 

 

part |2 pages

Part I Life, politics and theory

part |2 pages

Part II Key plays

chapter 3|28 pages

The family, gender and sexual relations

chapter 4|18 pages

Time and the time plays

chapter 5|16 pages

Work and visions of dystopia/utopia

part |2 pages

Part III Key plays/productions

chapter 6|14 pages

The Good Companions

chapter 7|25 pages

An Inspector Calls

chapter 8|16 pages

Johnson Over Jordan