ABSTRACT

This is the history of the relationship between mass produced visual media and religion in the United States. It is a journey from the 1780s to the present - from early evangelical tracts to teenage witches and televangelists, and from illustrated books to contemporary cinema.



David Morgan explores the cultural marketplace of public representation, showing how American religionists have made special use of visual media to instruct the public, to practice devotion and ritual, and to form children and converts. Examples include:





  • studying Jesus as an American idol


  • Jewish kitchens and Christian Parlors


  • Billy Sunday and Buffy the Vampire Slayer


  • Uncle Tom’s Cabin and the anti-slavery movement.


This unique perspective reveals the importance of visual media to the construction and practice of sectarian and national community in a nation of immigrants old and new, and the tensions between the assimilation and the preservation of ethnic and racial identities. As well as the contribution of visual media to the religious life of Christians and Jews, Morgan shows how images have informed the perceptions and practices of other religions in America, including New Age, Buddhist and Hindu spirituality, and Mormonism, Native American Religions and the Occult.

chapter |3 pages

Introduction

part I|66 pages

Print media in antebellum America

chapter Chapter 1|30 pages

The aura of print

chapter Chapter 2|34 pages

Religious visual media and cultural conflict

part II|125 pages

New visual media and the marketplace

chapter Chapter 3|30 pages

Consumption and religious images

chapter Chapter 4|32 pages

Parlors and kitchens

Domestic visual practice and religion

chapter Chapter 5|30 pages

Pictorial entertainment and instruction

chapter Chapter 6|31 pages

Seeing in public

America as imagined community

part III|66 pages

The power and menace of images

chapter Chapter 7|31 pages

Facing the sacred

Image and charisma

chapter Chapter 8|33 pages

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