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Dance Discourses
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Dance Discourses

Keywords in Dance Research

Dance Discourses

Keywords in Dance Research

Edited BySusanne Franco, Marina Nordera
Edition 1st Edition
First Published 2007
eBook Published 29 April 2016
Pub. location London
Imprint Routledge
DOIhttps://doi.org/10.4324/9781315539171
Pages 296 pages
eBook ISBN 9781134947126
SubjectsArts
Get Citation

Get Citation

Franco, S. (Ed.), Nordera, M. (Ed.). (2008). Dance Discourses. London: Routledge, https://doi.org/10.4324/9781315539171
ABOUT THIS BOOK

Focusing on politics, gender, and identities, a group of international dance scholars provide a broad overview of new methodological approaches – with specific case studies – and how they can be applied to the study of ballet and modern dance.

With an introduction exploring the history of dance studies and the development of central themes and areas of concerns in the field, the book is then divided into three parts:

  • politics explores 'Ausdruckstanz' – an expressive dance tradition first formulated in the 1920s by dancer Mary Wigman and carried forward in the work of Pina Bausch and others
  • gender examines eighteenth century theatrical dance – a time when elaborate sets, costumes, and plots examined racial and sexual stereotypes
  • identity is concerned with modern dance.

Exploring contemporary analytical approaches to understanding performance traditions, Dance Discourses' pedagogical structure makes it ideal for courses in performing arts and humanities.

TABLE OF CONTENTS
chapter |8 pages
Introduction
BySUSANNE FRANCO, MARINA NORDERA
View abstract
part |2 pages
PART I Keyword: POLITICS Topic: AUSDRUCKSTANZ
chapter 1|18 pages
Dance and the political: states of exception
ByMARK FRANKO
View abstract
chapter 2|17 pages
Fritz Böhme (1881–1952): archeology of an ideologue
ByLAURE GUILBERT
View abstract
chapter 3|15 pages
Ausdruckstanz across the Atlantic
BySUSAN MANNING
View abstract
chapter 4|19 pages
Ausdruckstanz on the left and the work of Jean Weidt
ByYVONNE HARDT
View abstract
chapter 5|19 pages
Ausdruckstanz: traditions, translations, transmissions
BySUSANNE FRANCO
View abstract
part |2 pages
PART II Keyword: FEMININE/MASCULINE Topic: THEATRICAL DANCE IN THE EIGHTEENTH CENTURY
chapter 6|20 pages
Feminine/Masculine
ByLINDA J . TOMKO
View abstract
chapter 7|10 pages
Dido’s otherness: choreographing race and gender in the ballet d’action
BySUSAN LEIGH FOSTER
View abstract
chapter 8|22 pages
Danseuses and danseurs at the Opéra de Paris (1700–25) according to the cast lists in the libretto-programs
ByNATHALIE LECOMTE
View abstract
chapter 9|16 pages
A balance lost: staging the body and controlling social mobility during the French Revolution INGE BAXMANN
View abstract
chapter 10|18 pages
Gender underway: notes for histories yet to be written
View abstract
part |2 pages
PART III Keyword: IDENTITIES Topic: CONTEMPORARY DANCE
chapter 11|19 pages
Dance, identity, and identification processes in the postcolonial world
ByANDRÉE GRAU
View abstract
chapter 12|13 pages
Resistant identities: Anderson and Ruckert
ByRAMSAY BURT
View abstract
chapter 13|15 pages
Donald Byrd: re/making “beauty”
ByTHOMAS F . DEFRANTZ
View abstract
chapter 14|15 pages
Dispositif trouble: when what is said is not what is shown
ByHÉLÈNE MARQUIÉ
View abstract
chapter 15|16 pages
Identity, the contemporary, and the dancers
ByISABELLE GINOT
View abstract

Focusing on politics, gender, and identities, a group of international dance scholars provide a broad overview of new methodological approaches – with specific case studies – and how they can be applied to the study of ballet and modern dance.

With an introduction exploring the history of dance studies and the development of central themes and areas of concerns in the field, the book is then divided into three parts:

  • politics explores 'Ausdruckstanz' – an expressive dance tradition first formulated in the 1920s by dancer Mary Wigman and carried forward in the work of Pina Bausch and others
  • gender examines eighteenth century theatrical dance – a time when elaborate sets, costumes, and plots examined racial and sexual stereotypes
  • identity is concerned with modern dance.

Exploring contemporary analytical approaches to understanding performance traditions, Dance Discourses' pedagogical structure makes it ideal for courses in performing arts and humanities.

TABLE OF CONTENTS
chapter |8 pages
Introduction
BySUSANNE FRANCO, MARINA NORDERA
View abstract
part |2 pages
PART I Keyword: POLITICS Topic: AUSDRUCKSTANZ
chapter 1|18 pages
Dance and the political: states of exception
ByMARK FRANKO
View abstract
chapter 2|17 pages
Fritz Böhme (1881–1952): archeology of an ideologue
ByLAURE GUILBERT
View abstract
chapter 3|15 pages
Ausdruckstanz across the Atlantic
BySUSAN MANNING
View abstract
chapter 4|19 pages
Ausdruckstanz on the left and the work of Jean Weidt
ByYVONNE HARDT
View abstract
chapter 5|19 pages
Ausdruckstanz: traditions, translations, transmissions
BySUSANNE FRANCO
View abstract
part |2 pages
PART II Keyword: FEMININE/MASCULINE Topic: THEATRICAL DANCE IN THE EIGHTEENTH CENTURY
chapter 6|20 pages
Feminine/Masculine
ByLINDA J . TOMKO
View abstract
chapter 7|10 pages
Dido’s otherness: choreographing race and gender in the ballet d’action
BySUSAN LEIGH FOSTER
View abstract
chapter 8|22 pages
Danseuses and danseurs at the Opéra de Paris (1700–25) according to the cast lists in the libretto-programs
ByNATHALIE LECOMTE
View abstract
chapter 9|16 pages
A balance lost: staging the body and controlling social mobility during the French Revolution INGE BAXMANN
View abstract
chapter 10|18 pages
Gender underway: notes for histories yet to be written
View abstract
part |2 pages
PART III Keyword: IDENTITIES Topic: CONTEMPORARY DANCE
chapter 11|19 pages
Dance, identity, and identification processes in the postcolonial world
ByANDRÉE GRAU
View abstract
chapter 12|13 pages
Resistant identities: Anderson and Ruckert
ByRAMSAY BURT
View abstract
chapter 13|15 pages
Donald Byrd: re/making “beauty”
ByTHOMAS F . DEFRANTZ
View abstract
chapter 14|15 pages
Dispositif trouble: when what is said is not what is shown
ByHÉLÈNE MARQUIÉ
View abstract
chapter 15|16 pages
Identity, the contemporary, and the dancers
ByISABELLE GINOT
View abstract
CONTENTS
ABOUT THIS BOOK

Focusing on politics, gender, and identities, a group of international dance scholars provide a broad overview of new methodological approaches – with specific case studies – and how they can be applied to the study of ballet and modern dance.

With an introduction exploring the history of dance studies and the development of central themes and areas of concerns in the field, the book is then divided into three parts:

  • politics explores 'Ausdruckstanz' – an expressive dance tradition first formulated in the 1920s by dancer Mary Wigman and carried forward in the work of Pina Bausch and others
  • gender examines eighteenth century theatrical dance – a time when elaborate sets, costumes, and plots examined racial and sexual stereotypes
  • identity is concerned with modern dance.

Exploring contemporary analytical approaches to understanding performance traditions, Dance Discourses' pedagogical structure makes it ideal for courses in performing arts and humanities.

TABLE OF CONTENTS
chapter |8 pages
Introduction
BySUSANNE FRANCO, MARINA NORDERA
View abstract
part |2 pages
PART I Keyword: POLITICS Topic: AUSDRUCKSTANZ
chapter 1|18 pages
Dance and the political: states of exception
ByMARK FRANKO
View abstract
chapter 2|17 pages
Fritz Böhme (1881–1952): archeology of an ideologue
ByLAURE GUILBERT
View abstract
chapter 3|15 pages
Ausdruckstanz across the Atlantic
BySUSAN MANNING
View abstract
chapter 4|19 pages
Ausdruckstanz on the left and the work of Jean Weidt
ByYVONNE HARDT
View abstract
chapter 5|19 pages
Ausdruckstanz: traditions, translations, transmissions
BySUSANNE FRANCO
View abstract
part |2 pages
PART II Keyword: FEMININE/MASCULINE Topic: THEATRICAL DANCE IN THE EIGHTEENTH CENTURY
chapter 6|20 pages
Feminine/Masculine
ByLINDA J . TOMKO
View abstract
chapter 7|10 pages
Dido’s otherness: choreographing race and gender in the ballet d’action
BySUSAN LEIGH FOSTER
View abstract
chapter 8|22 pages
Danseuses and danseurs at the Opéra de Paris (1700–25) according to the cast lists in the libretto-programs
ByNATHALIE LECOMTE
View abstract
chapter 9|16 pages
A balance lost: staging the body and controlling social mobility during the French Revolution INGE BAXMANN
View abstract
chapter 10|18 pages
Gender underway: notes for histories yet to be written
View abstract
part |2 pages
PART III Keyword: IDENTITIES Topic: CONTEMPORARY DANCE
chapter 11|19 pages
Dance, identity, and identification processes in the postcolonial world
ByANDRÉE GRAU
View abstract
chapter 12|13 pages
Resistant identities: Anderson and Ruckert
ByRAMSAY BURT
View abstract
chapter 13|15 pages
Donald Byrd: re/making “beauty”
ByTHOMAS F . DEFRANTZ
View abstract
chapter 14|15 pages
Dispositif trouble: when what is said is not what is shown
ByHÉLÈNE MARQUIÉ
View abstract
chapter 15|16 pages
Identity, the contemporary, and the dancers
ByISABELLE GINOT
View abstract

Focusing on politics, gender, and identities, a group of international dance scholars provide a broad overview of new methodological approaches – with specific case studies – and how they can be applied to the study of ballet and modern dance.

With an introduction exploring the history of dance studies and the development of central themes and areas of concerns in the field, the book is then divided into three parts:

  • politics explores 'Ausdruckstanz' – an expressive dance tradition first formulated in the 1920s by dancer Mary Wigman and carried forward in the work of Pina Bausch and others
  • gender examines eighteenth century theatrical dance – a time when elaborate sets, costumes, and plots examined racial and sexual stereotypes
  • identity is concerned with modern dance.

Exploring contemporary analytical approaches to understanding performance traditions, Dance Discourses' pedagogical structure makes it ideal for courses in performing arts and humanities.

TABLE OF CONTENTS
chapter |8 pages
Introduction
BySUSANNE FRANCO, MARINA NORDERA
View abstract
part |2 pages
PART I Keyword: POLITICS Topic: AUSDRUCKSTANZ
chapter 1|18 pages
Dance and the political: states of exception
ByMARK FRANKO
View abstract
chapter 2|17 pages
Fritz Böhme (1881–1952): archeology of an ideologue
ByLAURE GUILBERT
View abstract
chapter 3|15 pages
Ausdruckstanz across the Atlantic
BySUSAN MANNING
View abstract
chapter 4|19 pages
Ausdruckstanz on the left and the work of Jean Weidt
ByYVONNE HARDT
View abstract
chapter 5|19 pages
Ausdruckstanz: traditions, translations, transmissions
BySUSANNE FRANCO
View abstract
part |2 pages
PART II Keyword: FEMININE/MASCULINE Topic: THEATRICAL DANCE IN THE EIGHTEENTH CENTURY
chapter 6|20 pages
Feminine/Masculine
ByLINDA J . TOMKO
View abstract
chapter 7|10 pages
Dido’s otherness: choreographing race and gender in the ballet d’action
BySUSAN LEIGH FOSTER
View abstract
chapter 8|22 pages
Danseuses and danseurs at the Opéra de Paris (1700–25) according to the cast lists in the libretto-programs
ByNATHALIE LECOMTE
View abstract
chapter 9|16 pages
A balance lost: staging the body and controlling social mobility during the French Revolution INGE BAXMANN
View abstract
chapter 10|18 pages
Gender underway: notes for histories yet to be written
View abstract
part |2 pages
PART III Keyword: IDENTITIES Topic: CONTEMPORARY DANCE
chapter 11|19 pages
Dance, identity, and identification processes in the postcolonial world
ByANDRÉE GRAU
View abstract
chapter 12|13 pages
Resistant identities: Anderson and Ruckert
ByRAMSAY BURT
View abstract
chapter 13|15 pages
Donald Byrd: re/making “beauty”
ByTHOMAS F . DEFRANTZ
View abstract
chapter 14|15 pages
Dispositif trouble: when what is said is not what is shown
ByHÉLÈNE MARQUIÉ
View abstract
chapter 15|16 pages
Identity, the contemporary, and the dancers
ByISABELLE GINOT
View abstract
ABOUT THIS BOOK
ABOUT THIS BOOK

Focusing on politics, gender, and identities, a group of international dance scholars provide a broad overview of new methodological approaches – with specific case studies – and how they can be applied to the study of ballet and modern dance.

With an introduction exploring the history of dance studies and the development of central themes and areas of concerns in the field, the book is then divided into three parts:

  • politics explores 'Ausdruckstanz' – an expressive dance tradition first formulated in the 1920s by dancer Mary Wigman and carried forward in the work of Pina Bausch and others
  • gender examines eighteenth century theatrical dance – a time when elaborate sets, costumes, and plots examined racial and sexual stereotypes
  • identity is concerned with modern dance.

Exploring contemporary analytical approaches to understanding performance traditions, Dance Discourses' pedagogical structure makes it ideal for courses in performing arts and humanities.

TABLE OF CONTENTS
chapter |8 pages
Introduction
BySUSANNE FRANCO, MARINA NORDERA
View abstract
part |2 pages
PART I Keyword: POLITICS Topic: AUSDRUCKSTANZ
chapter 1|18 pages
Dance and the political: states of exception
ByMARK FRANKO
View abstract
chapter 2|17 pages
Fritz Böhme (1881–1952): archeology of an ideologue
ByLAURE GUILBERT
View abstract
chapter 3|15 pages
Ausdruckstanz across the Atlantic
BySUSAN MANNING
View abstract
chapter 4|19 pages
Ausdruckstanz on the left and the work of Jean Weidt
ByYVONNE HARDT
View abstract
chapter 5|19 pages
Ausdruckstanz: traditions, translations, transmissions
BySUSANNE FRANCO
View abstract
part |2 pages
PART II Keyword: FEMININE/MASCULINE Topic: THEATRICAL DANCE IN THE EIGHTEENTH CENTURY
chapter 6|20 pages
Feminine/Masculine
ByLINDA J . TOMKO
View abstract
chapter 7|10 pages
Dido’s otherness: choreographing race and gender in the ballet d’action
BySUSAN LEIGH FOSTER
View abstract
chapter 8|22 pages
Danseuses and danseurs at the Opéra de Paris (1700–25) according to the cast lists in the libretto-programs
ByNATHALIE LECOMTE
View abstract
chapter 9|16 pages
A balance lost: staging the body and controlling social mobility during the French Revolution INGE BAXMANN
View abstract
chapter 10|18 pages
Gender underway: notes for histories yet to be written
View abstract
part |2 pages
PART III Keyword: IDENTITIES Topic: CONTEMPORARY DANCE
chapter 11|19 pages
Dance, identity, and identification processes in the postcolonial world
ByANDRÉE GRAU
View abstract
chapter 12|13 pages
Resistant identities: Anderson and Ruckert
ByRAMSAY BURT
View abstract
chapter 13|15 pages
Donald Byrd: re/making “beauty”
ByTHOMAS F . DEFRANTZ
View abstract
chapter 14|15 pages
Dispositif trouble: when what is said is not what is shown
ByHÉLÈNE MARQUIÉ
View abstract
chapter 15|16 pages
Identity, the contemporary, and the dancers
ByISABELLE GINOT
View abstract

Focusing on politics, gender, and identities, a group of international dance scholars provide a broad overview of new methodological approaches – with specific case studies – and how they can be applied to the study of ballet and modern dance.

With an introduction exploring the history of dance studies and the development of central themes and areas of concerns in the field, the book is then divided into three parts:

  • politics explores 'Ausdruckstanz' – an expressive dance tradition first formulated in the 1920s by dancer Mary Wigman and carried forward in the work of Pina Bausch and others
  • gender examines eighteenth century theatrical dance – a time when elaborate sets, costumes, and plots examined racial and sexual stereotypes
  • identity is concerned with modern dance.

Exploring contemporary analytical approaches to understanding performance traditions, Dance Discourses' pedagogical structure makes it ideal for courses in performing arts and humanities.

TABLE OF CONTENTS
chapter |8 pages
Introduction
BySUSANNE FRANCO, MARINA NORDERA
View abstract
part |2 pages
PART I Keyword: POLITICS Topic: AUSDRUCKSTANZ
chapter 1|18 pages
Dance and the political: states of exception
ByMARK FRANKO
View abstract
chapter 2|17 pages
Fritz Böhme (1881–1952): archeology of an ideologue
ByLAURE GUILBERT
View abstract
chapter 3|15 pages
Ausdruckstanz across the Atlantic
BySUSAN MANNING
View abstract
chapter 4|19 pages
Ausdruckstanz on the left and the work of Jean Weidt
ByYVONNE HARDT
View abstract
chapter 5|19 pages
Ausdruckstanz: traditions, translations, transmissions
BySUSANNE FRANCO
View abstract
part |2 pages
PART II Keyword: FEMININE/MASCULINE Topic: THEATRICAL DANCE IN THE EIGHTEENTH CENTURY
chapter 6|20 pages
Feminine/Masculine
ByLINDA J . TOMKO
View abstract
chapter 7|10 pages
Dido’s otherness: choreographing race and gender in the ballet d’action
BySUSAN LEIGH FOSTER
View abstract
chapter 8|22 pages
Danseuses and danseurs at the Opéra de Paris (1700–25) according to the cast lists in the libretto-programs
ByNATHALIE LECOMTE
View abstract
chapter 9|16 pages
A balance lost: staging the body and controlling social mobility during the French Revolution INGE BAXMANN
View abstract
chapter 10|18 pages
Gender underway: notes for histories yet to be written
View abstract
part |2 pages
PART III Keyword: IDENTITIES Topic: CONTEMPORARY DANCE
chapter 11|19 pages
Dance, identity, and identification processes in the postcolonial world
ByANDRÉE GRAU
View abstract
chapter 12|13 pages
Resistant identities: Anderson and Ruckert
ByRAMSAY BURT
View abstract
chapter 13|15 pages
Donald Byrd: re/making “beauty”
ByTHOMAS F . DEFRANTZ
View abstract
chapter 14|15 pages
Dispositif trouble: when what is said is not what is shown
ByHÉLÈNE MARQUIÉ
View abstract
chapter 15|16 pages
Identity, the contemporary, and the dancers
ByISABELLE GINOT
View abstract
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