ABSTRACT

This edited collection addresses the vital role of the imagination in the critical interpretation of architectural representations. By challenging the contemporary tendency for computer-aided drawings to become mere ‘models’ for imitation in the construction of buildings, the articles explore the broader range of methods and meanings at stake in the creation and interpretation of architectural drawings, models, images and artefacts.

These critical – and often practice-led – investigations are placed alongside a range of historical studies considering the development of representational techniques such as perspective, orthography and diagramming. By also addressing the use of visual representation in a number of related disciplines such as visual arts, film, performance and literature, the book opens up debates in architecture to important developments in other fields.

This book is key reading for all students of architecture and architectural theory.

chapter |7 pages

Introduction

Models and drawings – the invisible nature of architecture

part |117 pages

Historical perspectives

chapter |12 pages

Questions of representation

The poetic origin of architecture

chapter |21 pages

Drawing Adam's navel

The problem of disegno as creative tension between the visible and knowledgeable

chapter |15 pages

Drawn to scale

The imaginative inhabitation of architectural drawings

chapter |11 pages

Architecture's twinned body

Building and drawing

chapter |10 pages

Translucent and fluid

Piranesi's impossible plan

chapter |6 pages

Le Corbusier's spirals

Figural planning and technique in architectural design

part |51 pages

Emergent realities

chapter |8 pages

Forms in the dark

Nature, waste and digital imitation

chapter |13 pages

A digital renaissance

Reconnecting architectural representation and cinematic visual effects

chapter |9 pages

Drawing air

The visual culture of bio-political imaging

chapter |10 pages

‘Higher' being and ‘higher' drawing

Claude Bragdon's ‘fourth dimension’ and the use of computer technology in design

part |106 pages

Critical dimensions

chapter |10 pages

Seeing time/writing place 1

chapter |8 pages

Marks in space

Thinking about drawing

chapter |12 pages

Drawing on light

chapter |11 pages

Post-secular architecture

Material, intellectual, spiritual models

chapter |11 pages

Specifying materials

Language, matter and the conspiracy of muteness

chapter |15 pages

In the corner of perception

Spatial experience in distraction