ABSTRACT

Writing Worlds represents the first systematic attempt to apply poststructuralist ideas to landscape representation. Landscape - city, countryside and wilderness - is explored through the discourse of economics, geopolitics and urban planning, travellers descriptions, propaganda maps, cartography and geometry, poetry and painting. The book aims to deconstruct geographical representation in order to explore the dynamics of power in the way we see the world.

chapter 1|17 pages

Introduction

Writing worlds

chapter 2|20 pages

Ideology and Bliss

Roland Barthes and the secret histories of landscape

chapter 3|12 pages

The Implications of Industry

Turner and Leeds

chapter 4|23 pages

Reading the Texts of Niagara Falls

The metaphor of death

chapter 5|13 pages

The Slightly Different Thing that is Said

Writing the aesthetic experience

chapter 6|11 pages

Lines of Power

chapter 8|18 pages

Reading the Texts of Theoretical Economic Geography

The role of physical and biological metaphors

chapter 10|21 pages

Foreign Policy and the Hyperreal

The Reagan administration and the scripting of ‘South Africa'

chapter 11|17 pages

Portland's Comprehensive Plan as Text

The Fred Meyer case and the politics of reading

chapter 13|17 pages

Deconstructing the Map

chapter 14|6 pages

Afterword