ABSTRACT
This book investigates the role that the visual and performing arts play in our experience and understanding of the past. Expanding upon longstanding concerns in cultural history about the relation of text and image, the book highlights the distinction between enactive and cognitive memory and the implications of this for artists and their publics.
TABLE OF CONTENTS
chapter 2|24 pages
RESONATING TESTIMONIES FROM/IN THE SPACE OF DEATH
Performing Buenaventura’s La maestra
chapter 5|16 pages
Stratum and resonance: displacement in the work of ELVAN ZABUNYAN
Displacement in the work of Renée Green
chapter 13|16 pages
Official art, official publics: public sculpture under the Federal Art-in-Architecture Program since1972
Public sculpture under the Federal Art-in-Architecture Program since 1972
