ABSTRACT

The Music Documentary offers a wide-range of approaches, across key moments in the history of popular music, in order to define and interrogate this prominent genre of film-making. The writers in this volume argue persuasively that the music documentary must be considered as an essential cultural artefact in documenting stars and icons, and musicians and their times – particularly for those figures whose fame was achieved posthumously.

In this collection of fifteen essays, the reader will find comprehensive discussions of the history of music documentaries, insights in their production and promotion, close studies of documentaries relating to favourite bands or performers, and approaches to questions of music documentary and form, from the celluloid to the digital age.

chapter |22 pages

Music Seen

The Formats and Functions of the Music Documentary

part |45 pages

Evolutions of the Music Documentary

chapter |17 pages

Tony Palmer's All You Need Is Love

Television's First Pop History

chapter |13 pages

Retrospective Compilations

(Re)defining the Music Documentary

chapter |14 pages

Sound and Vision

Radio Documentary, Fandom, and New Participatory Cultures

part |44 pages

Scenes from the Sixties

chapter |16 pages

The Good, The Bad, and The Ugly ′60s

The Opposing Gazes of Woodstock and Gimme Shelter

chapter |13 pages

“Let your Bullets Fly, My Friend”

Jimi Hendrix at Berkeley

chapter |13 pages

“You Can't Always Get What You Want”

Riding on The Medicine Ball Caravan

part |44 pages

Punk Cultures

chapter |16 pages

No Wave Film and the Music Documentary

From No Wave Cinema “Documents” to Retrospective Documentaries

chapter |10 pages

The Anxiety of Authenticity

Post-punk Film in the 2000s

chapter |16 pages

“Every Tongue Brings in a Several Tale”

The Filth and the Fury's Counterhistorical Transgressions

part |26 pages

“Mockumentaries” and “Rockumentaries”

chapter |12 pages

The Circus is in Town

Rock Mockumentaries and the Carnivalesque

chapter |12 pages

Visualizing Live Albums

Progressive Rock and the British Concert Film in the 1970s

part |52 pages

New Directions in the Music Documentary

chapter |10 pages

“Moogie Wonderland”

Technology, Modernity, and the Music Documentary

chapter |16 pages

Desperately Seeking Kylie!

Critical Reflections on William Baker's White Diamond