ABSTRACT

Indian Folk Theatres is theatre anthropology as a lived experience, containing detailed accounts of recent folk theatre shows as well as historical and cultural context. It looks at folk theatre forms from three corners of the Indian subcontinent:

  • Tamasha, song and dance entertainments from Maharastra
  • Chhau, the lyrical dance theatre of Bihar
  • Theru Koothu, satirical, ritualised epics from Tamil Nadu.

The contrasting styles and contents are depicted with a strongly practical bias, harnessing expertise from practitioners, anthropologists and theatre scholars in India. Indian Folk Theatres makes these exceptionally versatile and up-beat theatre forms accessible to students and practitioners everywhere.

chapter |21 pages

Introduction: First encounters

chapter 1|34 pages

Seraikella Chhau: Competing spaces

chapter 3|10 pages

Rediscovering folk theatre

chapter 4|36 pages

Tamasha: Escape

chapter 6|7 pages

More discoveries

chapter 7|31 pages

Therukoothu: coalescing worlds

chapter 8|18 pages

Modern Therukoothu: Survival

chapter 9|11 pages

The global village