ABSTRACT

How did the human mind evolve and how does it emerge, again and again, in individual lives?

In The Poet’s Voice in the Making of Mind, Russell Meares presents a fascinating inquiry into the origin of mind. He proposes that the way in which mind, or self, evolved, may resemble the way it emerges in childhood play and that a poetic, analogical style of thought is a biological necessity, essential to bringing to fruition the achievement of the human mind. Taking a fresh look at the language used in psychotherapy, he shows how language, and conversation in particular, is central to the development and maintenance of self. His theory incorporates the ideas from William James, Hughlings, Jackson, Janet, Hobson, Gerald Edelman, Wolf Singer, Vygotsky and others. It is illuminated by extracts from literary artists such as Wallace Stevens, W.S. Merwin, Virginia Woolf, Joseph Conrad and Shakespeare.

Encompassing psychotherapy; psychoanalysis; evolution; child development; literary criticism; philosophy; studies of mind and consciousness, The Poet’s Voice in the Making of Mind is an engaging, ground-breaking and thought-provoking work that will appeal to psychotherapists and psychoanalysts, as well as anyone interested in the emergence of mind and self.

chapter 1|11 pages

Introduction

Conversational play and the evolution of self

chapter 2|12 pages

James

What we mean by personal selves

chapter 3|19 pages

Analogy and Truth

chapter 4|11 pages

Brain Bases of Self

chapter 5|9 pages

The Poet's Voice

chapter 6|18 pages

Little Emotions

chapter 7|7 pages

Empathy and Utterance

chapter 7|8 pages

Pointing and Depicting

chapter 9|18 pages

Myth and Proto-Myth

chapter 11|5 pages

The Doubleness of Shakespeare

chapter 13|10 pages

The Shape of Culture and Self

chapter 14|7 pages

An Evolutionary Hypothesis

chapter 15|16 pages

Automorphosis

The dreams of Wolfgang Pauli

chapter 16|10 pages

A Personal Myth