ABSTRACT

As a coherent field of research, the field of music and visual culture has seen rapid growth in recent years. The Routledge Companion to Music and Visual Culture serves as the first comprehensive reference on the intersection between these two areas of study, an ideal introduction for those coming to the field for the first time as well as a useful source of information for seasoned researchers. This collection of over forty entries, from musicologists and art historians from the US and UK, delineate the key concepts in the field in five parts:

  • Starting Points
  • Methodologies
  • Reciprocation – the musical in visual culture and the visual in musical culture
  • Convergence –in metaphor, in conception, and in practice
  • Hybrid Arts

This reference work speaks to the important questions concerning this burgeoning field of research –what are the established approaches to studying musical and visual cultures side by side? What have been the major points of contact between these two areas and what kind of questions can this interdisciplinary research address moving forward? The Routledge Companion to Music and Visual Culture is an indispensable guide for anyone interested in the field of music and visual culture.

chapter |3 pages

Introduction

part I|19 pages

Starting Points

chapter 1|6 pages

Seeing Music

chapter 2|11 pages

Synaesthesia

part II|59 pages

Methodologies

chapter 4|8 pages

Musicology for Art Historians

chapter 5|7 pages

Iconography

chapter 6|9 pages

Cultural History

chapter 7|8 pages

Performance Studies

chapter 8|8 pages

Studying Music and Screen Media

part III|104 pages

Reciprocation

section III.1|50 pages

The Musical in Visual Culture

chapter 10|8 pages

Representing Music-Making

chapter 11|8 pages

Composer Portrait Prints

chapter 12|8 pages

Music, Symbolism, and Allegory

chapter 13|9 pages

Music as Attribute

Idea, Image, Sound

chapter 14|7 pages

Looking and Listening

Music and Sound as Visual Trope in Ukiyo-e 1

chapter 15|8 pages

Painting and Music

section III.2|54 pages

The Visual in Musical Culture

chapter 17|8 pages

Gesture and Imagery in Music Performance

Perspectives from North Indian Classical Music

chapter 18|10 pages

Notations

Context and Structure in Japanese Traditional Music Notation

chapter 19|8 pages

Manuscripts

chapter 20|9 pages

Printed Music

Music Printing as Art

chapter 21|9 pages

Album Art and Posters

The Psychedelic Interplay of Rock Art and Art Rock

part IV|121 pages

Convergence

section IV.1|38 pages

Convergence in Metaphor

chapter 23|9 pages

Visual Metaphors in Music Treatises

Metaphor as Experience in Vincenzo Galilei's Dialogo della Musica Antica e della Moderna

chapter 24|9 pages

Musical Metaphors in Art Criticism

chapter 25|9 pages

Musical Metaphors in Art Treatises

The Codification of Emotions in Eighteenth-Century Art Theory 1

section IV.2|35 pages

IV.2 Convergence in Conception

chapter 26|9 pages

Leonardo And The Paragone

chapter 27|8 pages

Poussin and the Modes

chapter 28|9 pages

Wagner's Gesamtkunstwerk

section IV.3|47 pages

Convergence in Practice

chapter 30|9 pages

Artists as Musicians and Musical Connoisseurs

Musicians, Mélomanes, and Ideas of Music among Nineteenth-Century Artists

chapter 31|7 pages

Musical Spaces

The Politics of Space in Renaissance Italy

chapter 32|5 pages

Built Architecture for Music

Spaces for Chamber Music in Sixteenth-Century Italy

chapter 33|8 pages

Urban Soundscapes

Hearing and Seeing Jerusalem

chapter 34|7 pages

Music in Social and Artistic Context

Women Qin Players

chapter 35|9 pages

Music in New Media

part V|74 pages

Hybrid Arts

chapter 36|8 pages

Pageantry

chapter 37|8 pages

Opera

chapter 38|10 pages

Ballet

Interactions of Musical and Visual Style

chapter 39|6 pages

Dance

Visual/Musical Effects in Two Dance Performances

chapter 40|7 pages

Musicals

chapter 41|7 pages

Film I

Bollywood—Music and Multimedia

chapter 42|8 pages

Film II

chapter 43|9 pages

Multimedia Art

Video Art-Music