ABSTRACT

Examining the cultural, political, economic, technological and institutional aspects of popular music throughout Asia, this book is the first comprehensive analysis of Asian popular music and its cultural industries. Concentrating on the development of popular culture in its local socio-political context, the volume highlights how local appropriations of the pop music genre play an active rather than reactive role in manipulating global cultural and capital flows.

Broad in geographical sweep and rich in contemporary examples, this work will appeal to those interested in Asian popular culture from a variety of perspectives including, political economy, anthropology, communication studies, media studies and ethnomusicology.

part I|46 pages

Musical cultures and culture industries

chapter 1|15 pages

Capitalism and cultural relativity

The Thai pop industry, capitalism and Western cultural values

chapter 3|12 pages

World music, cultural heteroglossia and indigenous capital

Overlapping frequencies in the emergence of cosmopolitanism in Taiwan

part II|48 pages

Local appropriations

chapter 4|12 pages

The imagined community of Maa Tujhe Salaam

The global and the local in the postcolonial

chapter 5|14 pages

Global industry, national politics

Popular music in ‘New Order' Indonesia

chapter 6|20 pages

The case of the irritating song

Suman Chatterjee and modern Bengali music

part III|48 pages

Travelling theories, syncretic exoticisms, or diffusion by any other name?

chapter 8|17 pages

‘Love Never Dies'

Romance and Christian symbolism in a Japanese rock video

chapter 9|13 pages

Japanese popular music in Hong Kong

What does TK present?

part IV|41 pages

Colonial desire, social memory and popular sensuality as performance genres

chapter 10|14 pages

Raising the ante of desire

Foreign female singers in a Japanese pop music world

chapter 12|15 pages

Pop music and interculturality

The dynamic presence of pop music in contemporary Balinese performance