ABSTRACT

In this volume, Zangwill develops a view of the nature of music and our experience of music that foregrounds the aesthetic properties of music. He focuses on metaphysical issues about aesthetic properties of music, psychological issues about the nature of musical experience, and philosophy of language issues about the metaphorical nature of aesthetic descriptions of music.

Among the innovations of this book, Zangwill addresses the limits of literal description, generally, and in the aesthetic case. He also explores the social and political issues about musical listening, which tend to be addressed more in continental traditions.

chapter |24 pages

Introduction

part I|52 pages

Music and Emotion

chapter 1|14 pages

Against Emotion

Hanslick Was Right about Music

chapter 2|19 pages

Music, Metaphor and Emotion

chapter 3|17 pages

Music, Emotion and Method

part II|66 pages

Describing Music

chapter 4|16 pages

Music, Metaphor and Aesthetic Concepts

chapter 6|16 pages

Music and Politics

chapter 7|8 pages

Metaphor as Appropriation

part III|52 pages

Musical Experience

chapter 8|12 pages

Listening to Music Together

chapter 9|11 pages

Scruton’s Musical Experiences

chapter 10|25 pages

Aesthetic Experience and Aesthetic Realism

chapter |2 pages

Coda