ABSTRACT

The Things about Museums constitutes a unique, highly diverse collection of essays unprecedented in existing books in either museum and heritage studies or material culture studies. Taking varied perspectives and presenting a range of case studies, the chapters all address objects in the context of museums, galleries and/or the heritage sector more broadly. Specifically, the book deals with how objects are constructed in museums, the ways in which visitors may directly experience those objects, how objects are utilised within particular representational strategies and forms, and the challenges and opportunities presented by using objects to communicate difficult and contested matters. Topics and approaches examined in the book are diverse, but include the objectification of natural history specimens and museum registers; materiality, immateriality, transience and absence; subject/object boundaries; sensory, phenomenological perspectives; the museumisation of objects and collections; and the dangers inherent in assuming that objects, interpretation and heritage are ‘good’ for us.

chapter 1|11 pages

Introduction

Museums and things

part I|81 pages

Objects and their creation in the museum

chapter |3 pages

Introduction

chapter 2|13 pages

Romancing the stones

Earth science objects as material culture

chapter 4|22 pages

Emblematic museum objects of national significance

In search of their multiple meanings and values

chapter 6|16 pages

Photography – museum

On posing, imageness and the punctum

part II|118 pages

Visitors' engagements with museum objects

chapter II|3 pages

Introduction

chapter 7|17 pages

Things and theories

The unstable presence of exhibited objects

chapter 8|14 pages

Inexperienced museum visitors and how they negotiate contemporary art

A comparative study of two visitor-driven visual art presentations

chapter 9|12 pages

Illuminating narratives

Period rooms and tableaux vivants

chapter 10|16 pages

Magic objects/modern objects

Heroes' house museums

chapter 11|12 pages

‘Do not touch'

A discussion on the problems of a limited sensory experience with objects in a gallery or museum context

chapter 12|11 pages

Living objects

A theory of museological objecthood

chapter 13|17 pages

The poetic triangle of objects, people and writing creatively

Using museum collections to inspire linguistic creativity and poetic understanding

chapter 14|15 pages

Location and intervention

Visual practice enabling a synchronic view of artefacts and sites

part III|61 pages

The uses of objects in museum representations

chapter III|2 pages

Introduction

chapter 16|12 pages

Playing dress-up

Inhabiting imagined spaces through museum objects

chapter 17|8 pages

Material object and immaterial collector

Is there room for the collector-donor discourse in the museal space?

chapter 18|13 pages

Exhibiting absence in the museum

chapter 19|14 pages

Arctic ‘relics'

The construction of history, memory and narratives at the National Maritime Museum

part IV|109 pages

Objects and difficult subjects

chapter IV|3 pages

Introduction

chapter 20|15 pages

Challenged pasts and the museum

The case of Ghanaian kente

chapter 21|13 pages

Standardising difference

The materiality of ethnic minorities in the museums of the People's Republic of China

chapter 22|14 pages

Displaying the Communist Other

Perspectives on the exhibition and interpretation of Communist visual culture

chapter 23|14 pages

Reconsidering images

Using the Farm Security Administration photographs as objects in history exhibitions

chapter 24|16 pages

(Im)material practices in museums

chapter 25|18 pages

Heritage as pharmakon and the Muses as deconstruction

Problematising curative museologies and heritage healing

chapter IV|15 pages

Afterword

A conversation with Sue Pearce