ABSTRACT

Why is the moving image so important in our lives? What is the link between the psychology of Jung, Freud and films? How do film and psychology address the problems of modernity?

Visible Mind is a book about why film is so important to contemporary life, how film affects us psychologically as individuals, and how it affects us culturally as collective social beings. Since its inception, film has been both responsive to historical cultural conditions and reflective of changes in psychological and emotional needs. Arising at the same moment over a century ago, both film and psychoanalysis helped to frame the fragmented experience of modern life in a way that is still with us today. Visible Mind pays attention to the historical context of film for what it can tell us about our inner lives, past and present.

Christopher Hauke discusses a range of themes from the perspective of film and analytical psychology, these include: The Face, The Shadow, Narrative and Story, Reality in Film, Cinema and the American Psyche, the use of Movies in the Psychotherapy Session and Archetypal themes in popular film. Unique to Visible Mind, six interviews with top film professionals from different departments both unlocks the door on the role of the unconscious in their creative process, and brings alive the reflexive critical thinking on modernity, postmodernity and Jungian psychology found throughout Visible Mind.

Visible Mind is written for academics, filmmakers and students who want to understand what Jung and Freud's psychology can offer on the subject of filmmaking and the creative process, for therapists of any background who want to know more about the significance of movies in their work and for film lovers in general who are curious about what makes movies work.

part I|76 pages

Watching Movies

chapter 1|9 pages

Introduction

Modernity, fragmentation and film

chapter 2|13 pages

The Face and Film

The surface and what's beneath

chapter |7 pages

The Actor Textures and layers

Interview with Margaret Klenck, 2 October 2011, New York City

chapter 3|15 pages

Film and the Shadow

chapter 4|23 pages

Cinema, Jung and the American Psyche

How Europe got to know the mind of America through the movies

chapter |7 pages

The Cinematographer

A dance they don't know I'm a partner in Interview with Tom Hurwitz, ASC, 2 October 2011, New York City

part II|65 pages

Making Movies

chapter 5|16 pages

What Makes Movies Work

Unconscious process and the filmmaker's craft

chapter |10 pages

The Writer/Director

Show me the opposite Interview with Dudi Appleton, 23 November, 2011, Clerkenwell, London

chapter 6|13 pages

‘Based on Real Events'

Narratives of fact and fiction in film

chapter |6 pages

The Film Editor

Each moment needs to be absolutely true Interview with Jonathan Morris, 28 May 2012, North London

chapter 7|18 pages

Changing Your Story

Narrative, time and meaning in the movies

part III|43 pages

Projecting Movies

chapter |8 pages

The Director/Writer Out of the not-knowing, something forms

Interview with Paul Morrison, 2 May 2012, North London

chapter 8|12 pages

Unusual Suspects

Movies in the therapist's room

chapter |7 pages

The Production Designer a visual story-teller

Interview with Gemma Jackson, 13 May 2012, St. John's Wood, London

chapter 9|14 pages

Anima-Animus

Soul-image and individuation