ABSTRACT

The Routledge Companion to Research in the Arts is a major collection of new writings on research in the creative and performing arts by leading authorities from around the world. It provides theoretical and practical approaches to identifying, structuring and resolving some of the key issues in the debate about the nature of research in the arts which have surfaced during the establishment of this subject over the last decade.

Contributions are located in the contemporary intellectual environment of research in the arts, and more widely in the universities, in the strategic and political environment of national research funding, and in the international environment of trans-national cooperation and communication. The book is divided into three principal sections – Foundations, Voices and Contexts – each with an introduction from the editors highlighting the main issues, agreements and debates in each section.

The Routledge Companion to Research in the Arts addresses a wide variety of concepts and issues, including:

  • the diversity of views on what constitutes arts-based research and scholarship, what it should be, and its potential contribution
  • the trans-national communication difficulties arising from terminological and ontological differences in arts-based research
  • traditional and non-traditional concepts of knowledge, their relationship to professional practice, and their outcomes and audiences
  • a consideration of the role of written, spoken and artefact-based languages in the formation and communication of understandings.

This comprehensive collection makes an original and significant contribution to the field of arts-based research by setting down a framework for addressing these, and other, topical issues. It will be essential reading for research managers and policy-makers in research councils and universities, as well as individual researchers, research supervisors and doctoral candidates.

part |137 pages

Foundations

part |174 pages

Voices

chapter |11 pages

Embodied Knowing Through Art

chapter |15 pages

Rhetoric

Writing, Reading and Producing the Visual

chapter |19 pages

Research and the Self

chapter |18 pages

Addressing the ‘Ancient Quarrel'

Creative Writing as Research

chapter |19 pages

The Virtual and the physical

A Phenomenological approach to Performance Research

chapter |17 pages

Navigating in Heterogeneity

Architectural Thinking and Art-Based Research

chapter |19 pages

Insight and Rigour

A Freudo-Lacanian Approach

chapter |18 pages

Transformational Practice

On the Place of Material Novelty in Artistic Change

chapter |16 pages

Time and Interaction

Research through Non-Visual Arts and Media

chapter |20 pages

Thinking About art After the Media

Research as Practised Culture of Experiment

part |112 pages

Contexts