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Aesthetic Pleasure in Twentieth-Century Women's Food Writing
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Aesthetic Pleasure in Twentieth-Century Women's Food Writing

The Innovative Appetites of M.F.K. Fisher, Alice B. Toklas, and Elizabeth David

Aesthetic Pleasure in Twentieth-Century Women's Food Writing

The Innovative Appetites of M.F.K. Fisher, Alice B. Toklas, and Elizabeth David

ByAlice McLean
Edition 1st Edition
First Published 2011
eBook Published 22 May 2012
Pub. location New York
Imprint Routledge
DOIhttps://doi.org/10.4324/9780203814390
Pages 208 pages
eBook ISBN 9781136706875
SubjectsHumanities, Language & Literature
Get Citation

Get Citation

McLean, A. (2012). Aesthetic Pleasure in Twentieth-Century Women's Food Writing. New York: Routledge, https://doi.org/10.4324/9780203814390
ABOUT THIS BOOK

This book explores the aesthetic pleasures of eating and writing in the lives of M. F. K. Fisher (1908-1992), Alice B. Toklas (1877-1967), and Elizabeth David (1913-1992). Growing up during a time when women's food writing was largely limited to the domestic cookbook, which helped to codify the guidelines of middle class domesticity, Fisher, Toklas, and David claimed the pleasures of gastronomy previously reserved for men. Articulating a language through which female desire is artfully and publicly sated, Fisher, Toklas, and David expanded women’s food writing beyond the domestic realm by pioneering forms of self-expression that celebrate female appetite for pleasure and for culinary adventure. In so doing, they illuminate the power of genre-bending food writing to transgress and reconfigure conventional gender ideologies. For these women, food encouraged a sensory engagement with their environment and a physical receptivity toward pleasure that engendered their creative aesthetic.

TABLE OF CONTENTS
chapter |13 pages
Introduction
View abstract
chapter 1|46 pages
The Gendering of Appetite in Nineteenth-Century Food Writing
View abstract
chapter 2|31 pages
Forging a Space for Female Desire: M. F. K. Fisher on the Art of Eating
View abstract
chapter 3|27 pages
A Queer Appetite: The Alice B. Toklas Cook Book
View abstract
chapter 4|31 pages
A Sensual Engagement: Elizabeth David’s Gastronomic Cookbooks
View abstract
chapter 5|26 pages
From “Aesthetic Choice” to a “Diasporic Aesthetic”: Patience
ByGray, Vertamae Smart Grosvenor, and Monique Truong
View abstract

This book explores the aesthetic pleasures of eating and writing in the lives of M. F. K. Fisher (1908-1992), Alice B. Toklas (1877-1967), and Elizabeth David (1913-1992). Growing up during a time when women's food writing was largely limited to the domestic cookbook, which helped to codify the guidelines of middle class domesticity, Fisher, Toklas, and David claimed the pleasures of gastronomy previously reserved for men. Articulating a language through which female desire is artfully and publicly sated, Fisher, Toklas, and David expanded women’s food writing beyond the domestic realm by pioneering forms of self-expression that celebrate female appetite for pleasure and for culinary adventure. In so doing, they illuminate the power of genre-bending food writing to transgress and reconfigure conventional gender ideologies. For these women, food encouraged a sensory engagement with their environment and a physical receptivity toward pleasure that engendered their creative aesthetic.

TABLE OF CONTENTS
chapter |13 pages
Introduction
View abstract
chapter 1|46 pages
The Gendering of Appetite in Nineteenth-Century Food Writing
View abstract
chapter 2|31 pages
Forging a Space for Female Desire: M. F. K. Fisher on the Art of Eating
View abstract
chapter 3|27 pages
A Queer Appetite: The Alice B. Toklas Cook Book
View abstract
chapter 4|31 pages
A Sensual Engagement: Elizabeth David’s Gastronomic Cookbooks
View abstract
chapter 5|26 pages
From “Aesthetic Choice” to a “Diasporic Aesthetic”: Patience
ByGray, Vertamae Smart Grosvenor, and Monique Truong
View abstract
CONTENTS
ABOUT THIS BOOK

This book explores the aesthetic pleasures of eating and writing in the lives of M. F. K. Fisher (1908-1992), Alice B. Toklas (1877-1967), and Elizabeth David (1913-1992). Growing up during a time when women's food writing was largely limited to the domestic cookbook, which helped to codify the guidelines of middle class domesticity, Fisher, Toklas, and David claimed the pleasures of gastronomy previously reserved for men. Articulating a language through which female desire is artfully and publicly sated, Fisher, Toklas, and David expanded women’s food writing beyond the domestic realm by pioneering forms of self-expression that celebrate female appetite for pleasure and for culinary adventure. In so doing, they illuminate the power of genre-bending food writing to transgress and reconfigure conventional gender ideologies. For these women, food encouraged a sensory engagement with their environment and a physical receptivity toward pleasure that engendered their creative aesthetic.

TABLE OF CONTENTS
chapter |13 pages
Introduction
View abstract
chapter 1|46 pages
The Gendering of Appetite in Nineteenth-Century Food Writing
View abstract
chapter 2|31 pages
Forging a Space for Female Desire: M. F. K. Fisher on the Art of Eating
View abstract
chapter 3|27 pages
A Queer Appetite: The Alice B. Toklas Cook Book
View abstract
chapter 4|31 pages
A Sensual Engagement: Elizabeth David’s Gastronomic Cookbooks
View abstract
chapter 5|26 pages
From “Aesthetic Choice” to a “Diasporic Aesthetic”: Patience
ByGray, Vertamae Smart Grosvenor, and Monique Truong
View abstract

This book explores the aesthetic pleasures of eating and writing in the lives of M. F. K. Fisher (1908-1992), Alice B. Toklas (1877-1967), and Elizabeth David (1913-1992). Growing up during a time when women's food writing was largely limited to the domestic cookbook, which helped to codify the guidelines of middle class domesticity, Fisher, Toklas, and David claimed the pleasures of gastronomy previously reserved for men. Articulating a language through which female desire is artfully and publicly sated, Fisher, Toklas, and David expanded women’s food writing beyond the domestic realm by pioneering forms of self-expression that celebrate female appetite for pleasure and for culinary adventure. In so doing, they illuminate the power of genre-bending food writing to transgress and reconfigure conventional gender ideologies. For these women, food encouraged a sensory engagement with their environment and a physical receptivity toward pleasure that engendered their creative aesthetic.

TABLE OF CONTENTS
chapter |13 pages
Introduction
View abstract
chapter 1|46 pages
The Gendering of Appetite in Nineteenth-Century Food Writing
View abstract
chapter 2|31 pages
Forging a Space for Female Desire: M. F. K. Fisher on the Art of Eating
View abstract
chapter 3|27 pages
A Queer Appetite: The Alice B. Toklas Cook Book
View abstract
chapter 4|31 pages
A Sensual Engagement: Elizabeth David’s Gastronomic Cookbooks
View abstract
chapter 5|26 pages
From “Aesthetic Choice” to a “Diasporic Aesthetic”: Patience
ByGray, Vertamae Smart Grosvenor, and Monique Truong
View abstract
ABOUT THIS BOOK
ABOUT THIS BOOK

This book explores the aesthetic pleasures of eating and writing in the lives of M. F. K. Fisher (1908-1992), Alice B. Toklas (1877-1967), and Elizabeth David (1913-1992). Growing up during a time when women's food writing was largely limited to the domestic cookbook, which helped to codify the guidelines of middle class domesticity, Fisher, Toklas, and David claimed the pleasures of gastronomy previously reserved for men. Articulating a language through which female desire is artfully and publicly sated, Fisher, Toklas, and David expanded women’s food writing beyond the domestic realm by pioneering forms of self-expression that celebrate female appetite for pleasure and for culinary adventure. In so doing, they illuminate the power of genre-bending food writing to transgress and reconfigure conventional gender ideologies. For these women, food encouraged a sensory engagement with their environment and a physical receptivity toward pleasure that engendered their creative aesthetic.

TABLE OF CONTENTS
chapter |13 pages
Introduction
View abstract
chapter 1|46 pages
The Gendering of Appetite in Nineteenth-Century Food Writing
View abstract
chapter 2|31 pages
Forging a Space for Female Desire: M. F. K. Fisher on the Art of Eating
View abstract
chapter 3|27 pages
A Queer Appetite: The Alice B. Toklas Cook Book
View abstract
chapter 4|31 pages
A Sensual Engagement: Elizabeth David’s Gastronomic Cookbooks
View abstract
chapter 5|26 pages
From “Aesthetic Choice” to a “Diasporic Aesthetic”: Patience
ByGray, Vertamae Smart Grosvenor, and Monique Truong
View abstract

This book explores the aesthetic pleasures of eating and writing in the lives of M. F. K. Fisher (1908-1992), Alice B. Toklas (1877-1967), and Elizabeth David (1913-1992). Growing up during a time when women's food writing was largely limited to the domestic cookbook, which helped to codify the guidelines of middle class domesticity, Fisher, Toklas, and David claimed the pleasures of gastronomy previously reserved for men. Articulating a language through which female desire is artfully and publicly sated, Fisher, Toklas, and David expanded women’s food writing beyond the domestic realm by pioneering forms of self-expression that celebrate female appetite for pleasure and for culinary adventure. In so doing, they illuminate the power of genre-bending food writing to transgress and reconfigure conventional gender ideologies. For these women, food encouraged a sensory engagement with their environment and a physical receptivity toward pleasure that engendered their creative aesthetic.

TABLE OF CONTENTS
chapter |13 pages
Introduction
View abstract
chapter 1|46 pages
The Gendering of Appetite in Nineteenth-Century Food Writing
View abstract
chapter 2|31 pages
Forging a Space for Female Desire: M. F. K. Fisher on the Art of Eating
View abstract
chapter 3|27 pages
A Queer Appetite: The Alice B. Toklas Cook Book
View abstract
chapter 4|31 pages
A Sensual Engagement: Elizabeth David’s Gastronomic Cookbooks
View abstract
chapter 5|26 pages
From “Aesthetic Choice” to a “Diasporic Aesthetic”: Patience
ByGray, Vertamae Smart Grosvenor, and Monique Truong
View abstract
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