ABSTRACT

The Routledge Companion to Cinema and Politics brings together forty essays by leading film scholars and filmmakers in order to discuss the complex relationship between cinema and politics.

Organised into eight sections - Approaches to Film and Politics; Film, Activism and Opposition; Film, Propaganda, Ideology and the State; The Politics of Mobility; Political Hollywood; Alternative and Independent Film and Politics; The Politics of Cine-geographies and The Politics of Documentary - this collection covers a broad range of topics, including: third cinema, cinema after 9/11, eco-activism, human rights, independent Chinese documentary, film festivals, manifestoes, film policies, film as a response to the post-2008 financial crisis, Soviet propaganda, the impact of neoliberalism on cinema, and many others.

It foregrounds the key debates, concepts, approaches and case studies that critique and explain the complex relationship between politics and cinema, discussing films from around the world and including examples from film history as well as contemporary cinema. It also explores the wider relationship between politics and entertainment, examines cinema’s response to political and social transformations and questions the extent to which filmmaking, itself, is a political act.

part |64 pages

Approaches to cinema and politics

chapter |5 pages

Introduction

chapter |12 pages

The Politics of form

A conceptual introduction to ‘Screen theory'

part |60 pages

Cinema, activism and opposition

chapter |3 pages

Introduction

chapter |9 pages

Reel News in the Digital Age

Framing Britain's radical video-activists

chapter |12 pages

KONY 2012

Anatomy of a campaign video and a video campaign

part |62 pages

Film, propaganda, ideology and the state

chapter |3 pages

Introduction

chapter |10 pages

Between ‘Information' and ‘Inspiration'

The Office of War Information, Frank Capra's Why We Fight series and US World War II propaganda

chapter |14 pages

Striving for the Maximum Appeal

Ideology and propaganda in the Soviet cinema of the 1920s and 1930s 1

chapter |11 pages

“Victory Doesn't always look the way other People Imagine It”

Post-conflict cinema in Northern Ireland

chapter |11 pages

Film Policy and England

The politics of creativity

part |68 pages

The politics of mobility

chapter |13 pages

Regurgitated Bodies

Presenting and representing trauma in The Act of Killing

chapter |11 pages

After Dispossession

Blackfella Films and the politics of radical hope

chapter |11 pages

The Holocaust documentary

Sense, meaning, and redemptive politics

chapter |12 pages

A Bridge Over Troubled Water?

Loving Jews and Muslims in two recent Mediterranean films

part |58 pages

Political Hollywood

chapter |3 pages

Introduction

chapter |11 pages

Spectacle VS. Narrative

Action political movies in the new millennium

chapter |11 pages

Reaganite Cinema

What a feeling!

part |60 pages

Alternative and independent film and politics

chapter |5 pages

Introduction

chapter |10 pages

Film Festivals

Mediating the mainstream and marginal voices

chapter |15 pages

Politics, ‘Indie-Style'

Political filmmaking and contemporary US independent cinema

chapter |10 pages

Dismantling the System from within

The early films of Robert Altman and the politics of anti-establishment

chapter |10 pages

Ethical Time, Ethical History

Recent Israeli films

chapter |9 pages

The way of Seeming

part |60 pages

The politics of cine-geographies

chapter |3 pages

Introduction

chapter |12 pages

Political Cinema In Latin America

From nation-building to cultural translation

chapter |11 pages

European Cinema

Spectator- or spect-actor-driven policies

chapter |11 pages

Minor Cinema

The case of Wales

part |58 pages

The politics of documentary

chapter |3 pages

Introduction

chapter |11 pages

Documenting Dissent

Political documentary in the People's Republic of China

chapter |12 pages

Politics and Independence

Documentary in Greece during the crisis

chapter |10 pages

Secret City (2012)

A reception diary

chapter |10 pages

Interactive Documentary

Film and politics in the digital era