ABSTRACT

Cutting across countries, genres, and time periods, this volume explores topics ranging from hip hop’s influence on Maasai identity in current day Tanzania to jazz in Bulawayo during the interwar years, using music to tell a larger story about the cultures and societies of Africa.

chapter |31 pages

Introduction

part I|61 pages

Contemporary Music and Its Wider Social Impacts

chapter 1|14 pages

Inventing East African Hip-Hop

Youth and Musical Convergence in East Africa

chapter 2|13 pages

Rap, Cartoon and Rap Cartoon

Representations of the Maasai in Contemporary Tanzanian Popular Culture

chapter 3|16 pages

An Emulating Beat

The Takiboronse Effect in Burkina Faso Popular Culture

chapter 4|16 pages

Infectious Beats

Urban Grooves Music's Collusion with the Zimbabwean State

part II|71 pages

Transnational Projections and Performances

chapter 5|28 pages

Popular Culture in Senegal

Blending the Secular and the Religious

chapter 6|19 pages

Blackface in America and Africa

Popular Arts and Diaspora Consciousness in Cape Town and the Gold Coast

part III|113 pages

Historical Reflections on Music

chapter 8|22 pages

Representations of Sophiatown in Kwaito Music

Mafikizolo and Musical Memory

chapter 9|22 pages

Stars of Song and Cinema

The Impact of Film on 1950s Johannesburg's Black Music Scene

chapter 10|36 pages

Performing and Contesting Modernity

Zimbabwean Urban Musicians and Cultural Self-Constructions, 1930s-1970s

part IV|48 pages

Cultural and Political Meanings in African Music

chapter 12|13 pages

Things Fall Apart

What Troubles Hath Hip-Hop in Kenya?

chapter 13|20 pages

Speaking the Unspeakable Through Hiplife

A Discursive Construction of Ghanaian Political Discourse

chapter 14|13 pages

Popular Music in Cape Verde

Resistance or Conciliation?