ABSTRACT

An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacted with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland.

Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props.

Continuing on from the Enlightenment, Volume Two of An Illustrated History of British Theatre and Performance leads its readers from the drama and performances of the Industrial Revolution to the latest digital theatre. Moving from Punch and Judy, castle spectres and penny showmen to Modernism and Postdramatic Theatre, Leach’s second volume triumphantly completes a collated account of all the British Theatre History knowledge anyone could ever need.

part One|134 pages

Theatre and the Industrial Revolution

chapter |3 pages

Timeline

chapter 1|14 pages

The rise of the ‘minors’

chapter 2|7 pages

Gothic

chapter 3|6 pages

Imperial extravaganza

chapter 4|7 pages

Penny showmen

chapter 5|17 pages

Drama of the Industrial Revolution

chapter 6|12 pages

Acting in melodrama

chapter 7|9 pages

Joseph Grimaldi and Regency pantomime

chapter 8|13 pages

The struggle for a free stage

chapter 10|7 pages

Factory acts

chapter 11|14 pages

Northern strollers

chapter 12|10 pages

Free and easy

chapter |5 pages

Interlude: Punch and Judy

part Two|180 pages

Romantic Theatre

chapter |4 pages

Timeline

chapter 13|6 pages

Romantic drama

chapter 14|13 pages

Romantic performance

chapter 15|10 pages

The theatre deregulated

chapter 16|6 pages

Staging the new imperialism

chapter 17|19 pages

In search of a national theatre

chapter 18|9 pages

Towards an Aristophanic drama

chapter 19|7 pages

Women and Victorian theatre

chapter 20|9 pages

On the margins

chapter 21|5 pages

Mid-nineteenth century Scottish theatre

chapter 22|6 pages

Heyday of the halls

chapter 23|10 pages

Realism and respectability

chapter 24|8 pages

Theatre in the provinces

chapter 25|9 pages

Off stage

chapter 26|13 pages

Fun

chapter 27|11 pages

The actor-managers

chapter 28|10 pages

Respectable Romantic acting

chapter 29|12 pages

The gay nineties

chapter 30|8 pages

Fallen women and bad girls

chapter |3 pages

Interlude: Toy theatres

part Three|174 pages

Modernist Theatre

chapter |4 pages

Timeline

chapter 31|8 pages

Shakespeare

A new start

chapter 32|8 pages

Symbolist theatre

chapter 33|9 pages

Ibsenism

chapter 34|5 pages

Independent theatres

chapter 35|6 pages

The new woman

chapter 36|6 pages

Naturalism

The new drama

chapter 37|10 pages

Naturalism on the stage

chapter 38|6 pages

For the future

chapter 39|9 pages

Theatre and women’s suffrage

chapter 40|10 pages

The repertory movement

chapter 41|8 pages

A pioneer

chapter 42|11 pages

Other theatres

chapter 43|12 pages

Modern Shakespeare

chapter 44|17 pages

English workers theatre

chapter 45|4 pages

Welsh drama

A slow awakening

chapter 46|9 pages

Scottish modernist theatre

chapter 47|10 pages

Expressionism on the stage

chapter 48|6 pages

Christian drama

chapter 49|9 pages

Theatre workshop

part Four|76 pages

Commercial Theatre

chapter |4 pages

Timeline

chapter 50|9 pages

Staging the First World War

chapter 51|8 pages

Musical comedy, revue and variety

chapter 52|5 pages

The impresarios and their patrons

chapter 53|8 pages

Well-made plays

chapter 54|6 pages

The acting profession

chapter 55|6 pages

Theatre and the Second World War

chapter 56|11 pages

Post-war

chapter 57|7 pages

Hard times

chapter 58|6 pages

Revival?

chapter |4 pages

Interlude: Shakespeare Wallahs

part Five|74 pages

Popular Theatres

chapter |4 pages

Timeline

chapter 59|4 pages

Popular performance

chapter 60|7 pages

Circus

chapter 61|4 pages

Fit-ups

chapter 62|9 pages

Lingering melodies

chapter 63|6 pages

Beside the seaside

chapter 64|7 pages

Twentieth century pantomime

chapter 65|4 pages

Concert parties

chapter 66|8 pages

Variety

chapter 67|5 pages

The clubs

chapter 68|8 pages

Stand-up

chapter |6 pages

Interlude: Mumming plays

part Six|105 pages

Subsidised Theatre

chapter |4 pages

Timeline

chapter 69|4 pages

CEMA into Arts Council

chapter 71|6 pages

Murmurs from abroad

chapter 72|10 pages

Transformation

chapter 73|6 pages

The regional reps

chapter 74|6 pages

The rise of the director

chapter 75|5 pages

Theatre and education

chapter 76|8 pages

Alternative theatre

chapter 77|7 pages

Theatre under Thatcher

chapter 78|6 pages

Making the headlines

chapter 80|9 pages

Towards the millennium

chapter 81|11 pages

A new beginning?

part Seven|42 pages

Postdramatic Theatre

chapter |3 pages

Timeline

chapter 82|4 pages

Post-war

Post drama

chapter 83|5 pages

Happenings and performance art

chapter 84|5 pages

Visual and physical theatre

chapter 85|6 pages

Site specific

chapter 86|6 pages

Deconstruction

chapter 87|6 pages

Multimedia

chapter |5 pages

Epilogue: Digital theatre